How LA Producer Luigie Gonzalez is Using Patchpoints in the Jamaica Plain Release

In-demand LA Producer Luigie “Lugo” Gonzalez is in the trenches on a daily basis depending on SONAR to deliver radio-ready masters to major labels.  As an advocate of this year’s Rolling Updates, and especially the new Universal Routing Technology [URT] in SONAR, Luigie told us how he is initially using URT:

CW Artist Relations:     What are you currently working on?

Luigie:     Right now I am in the middle of a few projects as always. Universal artist Ah Moon is being released right now and thankfully turning some heads.  It’s actually Burmese which is very interesting.  I am also working tracks with DJ Shift and the new single “Painkiller” is dropping at radio in the next month depending on the label.

CW Artist Relations:     In general, what are your thoughts on SONAR’s updates this year?

Luigie:     Every release has been rock solid.  Honestly though, at first, I was reluctant.  I have to have a stable platform because I am constantly delivering, and one technological mishap could be disastrous.  Cakewalk is onto something with the monthly updates.  Every release has been better and more efficient.  I haven’t had any problems with stability, and I really look forward to the new features every month.  Every release so far has been great, but this month’s Jamaica Plain release was a game-changer for me with the new Patch Points and Aux tracks

CW Artist Relations:     How are you using Patch Points and Aux Tracks?

Luigie:     I’m already using them a lot, and I am already hearing a difference in my mixes from the different ways I can control things.  The possibilities of what I am going to be able to do creatively will be endless really, but right now I am primarily using them for control in a few different ways.  I use VCA’s, and I do a lot of layering in general, so having the ability to route kick layers and synth layers helps me balance signals so that I don’t overload my channels.  It’s basically giving me a lot more control in general.  One specific example using Patch Points is when I use Turnado, Stutter edit or any other special effects.  Now I can use Patch Points to affect only the signals I want without affecting a whole bus; but rather just the tracks I route to the new patch point.

CW Artist Relations:     What else comes to mind for new features that you are using?

Luigie:     I have to say, upsampling is one of my favorite features as well!  Now having it on playback is even better!   Sometimes you hear the difference, and sometimes not… But that’s because not all plugins support up-sampling, and some already do by default.  There are instances where it actually helps a lot and you can certainly hear it especially when I use fancy EQing on the reverb returns.  In some cases, I’ve noticed about a 20% improvement on my mixes.  They tend to have more air, depth and clarity when I take advantage of upsampling. 

Click here for more information on SONAR Jamaica Plain Release

Click here to try SONAR for fee






SONAR Platinum artist iLan Bluestone’s career trajectory is moving fast.  The jet-setting EDM producer is touring the world, but was kind enough to share not only his time with us discussing his music production techniques, but also his new single collaboration with mogul-producer BT titled “All These Wounds.”  We caught up with iLan in Chicago at the Spring Awakening Festival, and then again down the road at Sweetwater’s Gearfest:


How Norman Matthew and Murder FM got their Recent Record Deal (Sony/RED)

Congratulations to SONAR user Norman Matthew and his band Murder FM for their first major-affiliated record released just last week.  Entitled Happily Neverafter, the 12 song full-length album was tracked mostly in SONAR over a period of time.  As many commercial records these days, this recording project started out as a demo and then as fate would have it, ended up in the hands of a label and a real-deal mixer (Famous/Sony Red and Beau Hill).

Murder FM have been on the fence about signing with different labels over the years since they debuted a video on that shot out of nowhere.   In 2013, the track/video “We the Evil” took over the top spots surpassing major label artists next to Rob Zombie, and projected the band into the public eye as well as the industry eye.  The video alone had 150k views within a short time of it being released and is now up to 320k globally.

Finally, and recently, the band found the right label partner with Famous Records Global (Sony/Red) and the final touches were made which includes a death-defying remix of the focus-single-track by Tommy Lee of Motley Crue.  Interestingly enough, many of the tracks mixed by Beau Hill on the record were created by Norman in his SONAR studio stemming from demos he created over the years.

“SONAR allowed me to capture a lot of great moments where there was really no need to go back to the drawing board.”

Already sharing stages with bands such as Black Veil Brides, Orgy, Halestorm, Powerman 5000, Young Guns, Korn, The Used, The Birthday Massacre, Sick Puppies, Trapt, Rob Zombie, Deftones, Avatar, Five Finger Death Punch, and The Pretty Reckless to name just a few, they embark on touring in support of the new record for the rest of 2015.  As MFM supports their first official global release distributed by Sony/Red, the future is wide open and arena rock will live and breathe again in the fiery form of Murder FM!

For more information on Murder FM visit

The all new SONAR comes in 3 different versions and can truly help you to create your own artist story.  Click here to try SONAR for free

Last week’s interview on 97.1 The Eagle/Dallas

We the Evil Official Video


What SONAR Platinum Pro Artists are saying about their Recent Upgrade

At Cakewalk, we are fortunate and proud to have some great cutting edge professional artists who rely on SONAR daily to write, record, and deliver world-class tracks. We are constantly getting feedback from many users to improve our software, so in our recent pole we decided to ask some artists to tell us about their Platinum upgrade experience in their own words:

iLan Bluestone:
International Electronic Producer/DJ
London, UK

[Currently touring internationally and working on new tracks]

“Upgrading to Platinum was a big deal for me.  I basically transitioned from SONAR 8.5 and was toggling back and forth between that and X3.  Platinum really put me over the edge to move forward.  Once I was over the initial learning curve which was actually enjoyable, the system became more like a writing partner.  The tools and workflow are like no other – and there are so many options to approach music in different ways, so getting creative ideas flowing is the best thing about Platinum.  This is what really keeps my custom sound always on the cutting edge.”

Javier Colon:
Winner of NBC The Voice
Recording Artist: Concord Music Group

[Currently touring and finishing a Holiday EP while also gearing up for a new full-length record 2016]

“I went from SONAR X2 to Platinum and the new features have been a Godsend for me.  When I have a system that works well I usually just stick with it until I am forced to upgrade.  The difference between X2 and Platinum for me personally meant discovering new ways to make my demos sound way better and more pro.  I often have to send demos from my home studio to my label (Concord Music Group), and since getting onto Platinum, a lot of my tracks sound really polished.  For me and my style of music, the combination of the comping tool and VocalSync meant the difference of actually using some vocals for my new record that I cut on my own – could have never done that with X2.”

Sean Murray:
Composer of Music for Film, TV and Video Games
Los Angeles, CA

[Currently working on a new film and new video game both TBA shortly]

“I upgraded from X3 to Platinum right when it came out.  I usually stay behind new releases but had heard that Platinum was the most stable release to date – and it certainly is in my book.  It’s rock solid and super snappy (the only way I can really explain it).  The features included in Platinum are hands-down better than any release Cakewalk has had in the past.  There are so many ways to explore music creation and that is what keeps my productions sounding fresh.  I find myself using things like Strum Session 2 and Addictive Drums 2 a lot.  The upgrades to the ProChannel have been really useful as well.  And I absolutely love getting the updates now – I look forward to it every month.”

Murray Daigle
MDS Recording, Toronto

[Just finished writing and delivering the main theme song for the Pan ParaPan Am Games]

“I went from SONAR X3 to Platinum and I was a bit reluctant at first since I’m constantly in the trenches every day with people counting on me to deliver music to labels, artists, publishers etc. This was by far the smoothest transition I’ve had with upgrading my SONAR rig.  Whatever the code-kings did, this version of the program has been absolutely rock-solid.  The biggest thing for me by far has been VocalSync.  With the style of music I write and produce, I have to have big vocals to stay in the game.  VocalSync gives me so many options on how I place vocals in mixes.  I can quickly embellish a lead vocal track by tightening another to it, and then processing it in a whole different way for different effects in the mix.  Time really is money for me, and the tools in Platinum have never been more creative or professional in any prior SONAR release.”

Yogi Lonich
Producer/Songwriter/Musician/Solo Artist/Live and Session Guitarist
(Has worked with): Shakira, DJ Zedd, Koshi Inaba, Chris Cornell, Buckcherry, Wallflowers, Fuel, Melissa Etheridge, Five For Fighting, Meredith Brooks
Los Angeles, CA

[Currently working on music for various forms of media and performing live with various artists]

“I upgraded not too long ago from SONAR X3 to Platinum and have noticed a big difference in the program.  First of all, it’s much quicker and seems to be way more efficient than X3.  To some, that might not mean much, but for what I do it’s important.  Besides playing guitar for some great artists and doing my own music (you can read more about that here =), I write a lot of music for commercials and libraries through agencies – this is where time is a factor and Platinum is really efficient.  The ability to totally customize the program to my workflow gives me the ability to deliver more music, and better quality music in way less time.  The upgrade to Addictive Drums 2 is worth it alone not to mention all the other new features and tools.”

Click here to upgrade to SONAR Platinum, and start creating your own artist success story.


How Vivek Maddala’s work in SONAR caught Mix Magazine’s eye (+ his go-to gear)

Vivek Maddala’s story is one that certainly does not lack one single ounce of excitement. From being a successful [modern-day] composer of music for film and TV, to his recent build out of a new state-of-the-art home studio, Vivek has continued to deliver world-class music on his own terms.  He has always been on the vanguard of hip new projects, but now with the new studio, the sky is the limit for this seasoned – yet still young Los Angeles multi-instrumentalist/producer.

One might ask, “What is it that keeps him so busy writing and producing for such interesting projects?” Well for starters, very few people can pull together the diverse musical elements that seem to come so fluently for Maddala.  On one end of the spectrum he is an extremely proficient musician, and on the other he is an expressive individual who seems to be able to tap into emotional components of film while gracefully tying everything together with unique global soundscapes.  He also seems to land projects right in his wheelhouse; ones that lift the human spirit and elucidate the human condition. His works which have been noted extraordinarily diverse in style, stand out among contemporary compositions for their depth of expression, brilliance of sound, and profoundly humanist nature.  It’s in this pocket where he has found so much success and respect scoring a plethora of [major] independent films.

Building off from his busy schedule — currently scoring a feature film, producing two albums, and soon scoring a TV series — it became clear to Vivek that he needed his own production sanctuary to work at any given moment of need or inspiration.  Now, when figuring out how to build a so-called ”home project studio,” it doesn’t hurt to have attended the Berklee School of Music, and also to have degrees in Electrical Engineering from major universities. That is when one’s “project studio” usually takes a turn for the better. ;)  Combining his skills and background in electro-acoustics, Vivek turned to acoustics consultant Kevin Lee Hughes who had recently worked on design for Capitol Studios in LA.  The result was a stunningly beautiful and intricate professional work-space written about here in this month’s issue of Mix Magazine.


We recently got a chance to quickly catch up with Vivek and find out how he’s been using SONAR: (more…)


Why Musicians from all over the world are attending Gearfest

If you’ve ever driven through the mid-west, you know there’s not a lot happening in between the cities that you encounter during the ride.  That is, unless, you happen to be driving just north of Fort Wayne, IN during the early summer month of June.  In this case, you are sure to find your way to one of the fastest growing music events in the country – Gearfest!

Cakewalk had the privilege to take part in Gearfest again this year, and I was fortunate enough to make my first trip to what is quickly becoming known as a mini Namm in the mid-west. The event is put on by a great company called Sweetwater which is basically the end-all-be-all of anything you need for gear in the cyber world.  If you can’t find it in a store, or you simply just want more choices for purchasing, you can bet that you will find it at  Sweetwater is also known for having one of the most knowledgeable staffs in the industry, and if you just give them a call with a question you are sure to have an answer quickly by someone at their facility.

The first thing notable about Gearfest is the size of the event.  What started out  not to long ago as an idea to bring local people together for the community, has turned into a 10,000+ strong conference which now spans over 2 days and includes an interesting and unpretentious concoction of artists, industry professionals, music fans and gear-head-musicians from literally all over the globe.  The second thing to note is that it has its own vibe and culture very unique to itself.  Many music oriented conferences and/or festivals for that matter sometimes turn into promotional spectacles for those trying to gain an edge on their profile; Gearfest is the opposite. (more…)


Cakewalk at Gearfest 2015 with iLan Bluestone

On Friday/Saturday June 12th and 13th, Cakewalk and Gibson will be part of a great music event in Fort Wayne, IN called “Gearfest 2015.”  What once started out as a smaller “musician’s conference,” has now transformed into a collective gear-fanatic affair where music equipment enthusiasts from all over the U.S. and beyond converge upon this mid-sized mid-west town.  It’s certainly impressive and appreciated by many that Sweetwater has put this much care and effort into bringing together over 400 manufactures along with hundreds of presenters to this world-class event.

On Friday June 12th 11:15am at Gearfest, Cakewalk will be presenting a very interesting panel with U.K. based SONAR Platinum user iLan Bluestone.  In the last year, Bluestone has gone from newcomer, to one of the most in-demand new acts on the international dance music scene.  This presentation will be an exclusive interview geared [no pun intended] towards a day in the life of a successful touring electronic musician/DJ in today’s industry.  The interview will be followed by a demonstration of iLan’s approach to music production on SONAR Platinum.

Also presenting on 2 panels at Gearfest will be Gibson’s own Craig Anderton.

Friday, June 12th, 11:30am – Everything You Need to Know About Dynamics (Craig Anderton) [Conference Hall 2, Room A]
Saturday, June 13th, 9:45am – How to Master in Your DAW (Craig Anderton) [Conference Hall 2, Room A]
Saturday, June 13th, 11:15am – A Conversation with EDM Producer iLan Bluestone (Jimmy Landry/iLan Bluestone) [Conference Hall 2 Room A]

Sweetwater Gearfest 2015

Sweetwater Campus
5501 US Hwy 30W
Fort Wayne, IN 46818

We hope to see you there!


Month-end Artist Wrap-up: How Pro Sonar Users Made the Spotlight in May

Murder FM:         Congratulations to SONAR Platinum artist Norman Matthew and his band Murder FM for finalizing their record deal with Famous Records/Sony Red.  After turning down deals in the past from even bigger major labels, Norman and company found the right fit for the band.  In a recent press release circulated to the music industry, Famous Records stated, “We here at the label are super excited and can’t wait to share our new find. These guys have the ‘IT’ factor.  In a short period of time these guys can/will be the hottest new mainstream rock radio sensation that will get heads moving and feet stomping.

The single “We the Evil” will be promoted at rock radio this month, and another version of the song remixed by Tommy Lee of Motley Crue will be released simultaneously as well. The record which was mixed by Beau Hill (also the Executive Producer of the record) is slated to be released August 7th 2015.  Drummer Will Hunt of the band Evanescence also performed on the track Happily Never After which ended up as the title track to the record.  The band will be touring upon the release of the record and have signed on with the M7 Agency Group who has already started to place them on some large shows and festivals such as Dirtfest at Birch Run Expo Center, MI.

For more information visit:

 Javier Colon:       Another Congratulations is also in order to SONAR Platinum user Javier Colon who has signed a new record deal with Concord Music Group.  Javier, who won the inaugural season of “NBC’s The Voice,” has continued to stay connected with his fans since winning the show.  Javier is currently using SONAR Platinum in his home production studio as he finishes up the record in between show dates.  The record was recorded at his home as well as various studios in New York City and Los Angeles.

Javier has been no stranger to major label record deals, and one can only assume that his talent, spirit and songwriting keeps carrying him into new ventures.  In a recent press release circulated within the music industry Javier said, “I am so happy to have a new home at Concord. They truly understand who I am as an artist and I’m looking forward to making the album I want to make. To be on a roster with the likes of James Taylor and Paul McCartney is an absolute honor and I’m excited to start this journey and get new music out to my fans.”

Most recently coming off tour with Maroon 5 as well as solo performances, Javier has also performed with artists such as Stevie Wonder, Brian McKnight, Colbie Caillat, Michael McDonald, India Arie, Adam Levine, Stevie Nicks, Anthony Hamilton and Joss Stone to name a few.  From a recent conversation with Javier, it’s evident that touring is going to be a big part of this next record and new territories such as Asia will be in the fold as well.

For more information visit:



Act of Defiance: How Chris Broderick is using SONAR after Megadeth

Starting from the early age of 11, Chris Broderick started on a journey that eventually brought him to every corner of our world.  Little did he know at that time that he would accomplish what most musicians only dream about.  As a multi-genre / multi-instrumentalist/vocalist, he got his chops like many others, long hours and hard work.

From his early days he could be found practicing guitar, piano and violin for upwards of 14 hours a day as a teenager. This eventually led him into an extraordinary path of education at the University of Denver’s Lamont School of Music where he was just as well known in the Denver music scene playing in local, yet highly regarded bands.  As time, fate and his esteemed career moved forward, Chris eventually moved into a greater role of guitar taking over for Joey Tafolla in the critically acclaimed band Jag Panzer.  Besides his professionalism, Chris landed this job partly due to the fact that he was the only one that could handle the duties laid out by Tafolla.

For nearly a decade of performing and touring on 4 records, Chris enjoyed playing with Jag Panzer while also taking part in live performances by the band Nevermore. In late 2007, Chis got a call from Shawn Drover, the drummer of Megadeth who had put forth his name in the hat of replacements for Glen Drover who had recently left the band.  After Dave Mustaine saw a video of Chris playing guitar, on February 4th 2008 Chris made his debut appearance as the new guitarist for Megadeth.  Dave Mustaine had commented that he thought Chris was the greatest guitarist Megadeth had ever seen, and that his collaboration with Chris reminded him of when Ozzy met Randy.

Most recently, Chris Broderick made the heartfelt decision to leave the band Megadeth. We got a chance to sit down with Chris and the most interesting part to this story is that the departure is really Uninteresting.  Unlike your usual big-drama band-break, it was simply Chris’s time to move on to something new… Act of Defiance with former band mate Shawn Drover: (more…)


Why Award Winning Jazz Artists Are Choosing SONAR

When you think of SONAR Platinum, you might not think of Jazz. In the last few years, we have had the pleasure of seeing various SONAR-using Jazz artists enjoy some well-deserved and large-scale success. What is success these days? Well depending on whom you ask, you will certainly get many different answers.

Bobbi “Funkee Boy” Tamarro will tell you first hand that success doesn’t come easy. As an international recording artist, songwriter and producer, he’s amassed an impressive amount of credits throughout his music career including chart hits across multiple music genres. Besides several top Billboard chart hits including his presence as a Top 5 Smooth Jazz artist, he has also penned licensing deals on television networks such as ABC, FOX, NBC, CBS, SHOWTIME,  and VH1 to name a few.

In 2014 Tamarro released his 3rd CD “Soul Purpose,” where the keyboardist/producer combined his talents with assembling a stellar line up of A-List recording artists. Soul Purpose featured guest appearances from Warren Hill, Najee, Bob Baldwin, Cindy Bradley, Nick Colionne, LEILA, Surface, Lamone, Timmy Maia, Tevin Michael and more. With the success of this release, he found himself up on a podium accepting a prestigious SESAC award for his efforts.

Recently with all his sales and charting success, Tamarro has respectfully turned down approaching major labels in the recent past as he has simply cracked the code as an indie artist competing in the big leagues. Bobbi tells us, “the number one thing is to do things right the first time, and be prepared to ‘invest’ and financially support your record. As an independent artist your record has to look, sound, and feel every bit as good as any major artist in your genre.”

SONAR feature you can’t live without?

The SONAR features I can’t live without are “everything!!” From the ease of workflow, editing, & visual representation to the ProChannel, Eq’s, Vintage Channel, and the Virtual Instruments included. They are all extremely valuable to me when making a record.

For more information on Bobbi Funkee Boy Tammaro please visit:

Paul Wertico is internationally known as “one of the most versatile and musical drummers in music today.” As a member of the Pat Metheny Group from 1983 to 2001, he won seven Grammy Awards and several gold records, and toured the world dozens of times.  He has also won many other awards, including being named a Chicago Tribune 2004 “Chicagoan of the Year,” being a recipient of a 2010 Lifetime Achievement Award from the Cape Breton International Drum Festival, and winning an Independent Music Award for “Best Live Performance Album” in 2014. Paul is an active drum clinician and session musician, and is currently a member of the Larry Coryell Power Trio, as well as Wertico Cain & Gray. There’s no such thing as spare time for Paul, so he is also an Associate Professor of Jazz Studies at Roosevelt University’s Chicago College of Performing Arts.

When it comes to recording, one would be hard pressed to find anyone in the Jazz world with as much experience as Paul as he has played drums and percussion on hundreds of recordings including Paul Winter’s Grammy nominated release, Earth: Voices Of A Planet, and also on four of vocalist Kurt Elling’s Grammy nominated releases to name a few.  To check out more of Paul’s incredible studio work visit his discography here.

SONAR feature you can’t live without?

I have too many favorite reasons for using SONAR to name them all, but versatility, stability, and ease of use, are just a few of them!

For more information on Paul and his exceptional work please visit: