The Cakewalk Blog

A couple of years ago we started SONAR University with a bang by releasing a fourty-plus minute long Master Class on drum production. Since then we’ve released two more Master Classes and dozens of Get Started and Go Deeper videos. And right now we’ve got one more Master Class video in the works.

Our first three master classes were released when YouTube had limits on video length. It started at ten minutes and eventually became fifteen minutes, but we were forced to break up our Master Classes into multi-part videos since they all were longer than fifteen minutes.

Thanks to YouTube now allowing videos of any length to live on their site, and in anticipation of the release of our next Master Class, we’ve decided to refresh our original three Master Classes as single, individual videos. Now you can watch them from start to finish with no interruption. Enjoy, and stay tuned for the release of the next Master Class.

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So you’ve purchased and installed SONAR X1 and now you’re ready to get in and start making music? Let us make it easy for you with free step by step videos that cover every step of the setup process for all versions of SONAR X1. Available any time you need it, the Get Started series on CakeTV is your on demand resource for the information you need presented in full HD. Watch as we show you everything from setting up your audio interface to recording a track, applying effects and everything in between!

Watch the full Get Started series here

Visit the Get Started with CakeTV page to watch individual videos on setting up your SONAR system.

One of the main features of SONAR X1 that has been revamped is Automation. The problem of accidentally clicking on the wrong envelope or node has been eliminated via the new Edit Filter control. SONAR’s Edit Filter allows you to choose the type of active data for editing. Each track in SONAR provides its own individual Edit Filter.

To choose a track’s editing data type, click its Edit Filter control and choose a type from the menu. You can also hover your mouse over the track and open the Tools HUD (press the middle mouse button or press T on your PC keyboard) to access the Edit Filter from there. Once chosen, the data type becomes active, and all other data types become inaccessible so that you don’t make accidental changes. For example, choosing Automation allows you to edit automation envelopes, but it doesn’t allow clip or audio transient editing.

In addition, instead of using the track or Tools HUD to access the Edit Filter, you can Shift+click on a data type to quickly switch to that type for editing. For example, Shift+click on the background of a clip to choose Clip for the Edit Filter. And Shift+right-click switches back and forth between the last two data types. You should also be aware that inactive data can be displayed as either “ghosted” or not shown at all by choosing View > Display > Display Ghosted Data from the Track view menu. For a demonstration of the new Automation and Edit Filter features, watch the video below. (more…)

Last week Brandon Ryan and I hosted our second CakeTV Live webinar on music production with SONAR X1. Broadcast live over the internet from Burbank, CA, this latest installment of CakeTV Live was every bit a success as the first CakeTV Live webinar. With a steady 240+ viewers this time from all over the world, we had a steady stream of great questions coming in throughout the demo.

Of course, we understand that many of you couldn’t make it to the live broadcast, so we’ve uploaded the video to YouTube for your viewing pleasure. This hefty video weighs in at one hour and forty minutes and is loaded with music production workflow techniques straight from Brandon Ryan’s bag of tricks.

 CakeTV Live: SONAR Music Production ‘Aike’

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There’s no doubt that SONAR X1 comes with a lot of great content, but one component that I think is sometimes overlooked is the Beatscape content.  Beatscape originally came with SONAR 8 and it’s a great sampler machine for mixing and mashing up content.  And now with the power of the Browser, Drag and Drop and the ProChannel, anyone who is looking to make creative drum beats that really stand out from the crowd can utilize all this content right at their fingertips in SONAR X1.

The Beatscape content is great for creating drum tracks from scratch, or embellishing existing drum tracks.  Whether or not you have Beatscape installed does not affect the ability to utilize this content in X1.  In fact I prefer to use the content in X1 without Beatscape at all.  Here’s how easy it is to utilize the Beatscape content.

1.       If you do not have Beatscape installed, copy all of the “Beatscape Factory Content” from your SONAR X1 install disc or from the file in your download purchase and place it somewhere on your hard drive.

*If you do have Beatscape installed, you will navigate to the Beatscape Content folder in the next step.  Your Beatscape folder is usually in these locations depending on whether or not you are running a 64bit system:

If you are running a 32bit system of Windows:

“C:\Program Files\Cakewalk\Beatscape\Library\Beatscape Factory Content\” or you can search for the folder easily in Windows. 

If you are running a 64bit system of Windows:

“C:\Program Files (x86)\Cakewalk\Beatscape\Library\Beatscape Factory Content\” or you can search for the folder easily in Windows. 

2.       In the SONAR X1 Browser, navigate to where the “Beatscape Factory Content” folder is and save that location by simply clicking the “save content location preset” button.  You can also rename this location by double-clicking inside the text rectangle.

3.       In the “Media” tab, make sure Auto Preview, Preview at Host Tempo and Loop Preview are all checked.

4.       You can preview any loop by clicking on it.  With the Beatscape content file system; the word “combo” is used in the files that have the complete loop.  The great thing about this content is that for most loops, the parts are broken apart so you can use them all together for the complete “combo” loop, or you can pull in just single elements of the loops.  When pulled in separately you can combine them with other loops or you can pull them all in and then layer them on separate tracks.

5.       Experiment with different individual loops by simply dragging and dropping them into the track view and layering them on different tracks.

You can get quite creative with the Beatscape content, and it’s just another quick and simple way to get up and running fast on SONAR X1.  Next week I will show some of my favorite tips and techniques to get unique sounds from the Beatscape content using the ProChannel and other effects.

Upgrade to SONAR X1 Producer to get Beatscape and it’s massive content library.

Whether you’re mixing down or pulling individual tracks for use with a collaborator, SONAR’s flexible export options make the process fast and simple. (more…)

In case you missed part one of this two-part series, Cakewalk’s Seth Perlstein shared his favorite SONAR X1 music production tips, tricks, and techniques like using the Mod Matrix in FX Chains 2.0, Groove Matching with AudioSnap, creating variations with the Loop Construction View, and much, much more.

Plus, he gave a sneak peak of the X1d patch, which is now free for all SONAR X1 users.

Watch entire video of the first SONAR X1 webcast. (more…)

Looking for a way to create dub style delay effects in SONAR? Look no further, by following these steps you can easily get that classic dub sound.

First, insert two stereo busses into the project. The first bus “Delay feed” will send the drum signal to the other bus “Delay” which will house the delay plugin. (more…)

I love to use mono slapback echo to support lead vocals or guitar solos. This classic effect has been used for decades and continues to be an important music production technique. Slapback has its roots in reel to reel tape and is characterized by the vocal or guitar part mixed with a single, audible echo.
While, you might associate this effect with late 50′s rockabilly, slapback echo is probably more common than reverb on modern pop and rock mixes. I often use a slapback delay along with other beat synced stereo delays as an important part of a lead vocal sound.

One of the quickest and easiest ways to set up a master slap-back delay effect in SONAR X1 is to use the Channel Tools effect. Channel Tools is the swiss army knife of effects offering a range of stereo imaging tools that are more handy than glamorous. For this application it’s the simple left and right delay controls that get the job done with minimal complexity.

Here is the setup:

1. Create a bus channel and insert the Channel Tools effect. Label the bus “Slapback”

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Have you ever wanted to create a drum kit from your own samples and make your own drum loops?  Part 1 of this Drum Production Master Class shows you how to create a drum part from scratch with Session Drummer 3, Step Sequencer 2.0, and other tools that come with SONAR X1 Producer.

Watch the video and follow these 5 easy steps:

1. Browse for Loops: Find audio loops with the right drum sound for your track.
2. Harvest Drum Samples: Slice up the loop into clips to add to your custom drum kit.
3. Build a Drum Kit for Session Drummer 3:  Drag and drop clips or add pieces from other kits.
4. Create a Pattern: Customize your drum pattern using Step Sequencer 2.0.
5. Arrange Your Patterns: Add variation to your pattern to create a multi-part drum track.

Buy SONAR X1 Producer to follow along and watch more free video tutorials at SONAR University!