Live from AES: V-Studio 700 Debut

Live from AES 2008: SONAR V-Studio 700 Unveiling
Uploaded by CakewalkInc

Cakewalk’s founder and CEO Greg Hendershott, Executive VP of Products Michael Hoover, and Director of Product Evangelism Brandon Ryan give a product presentation in the unveiling of SONAR V-Studio 700 at the 125th AES Conference in San Francisco, California.


Cakewalk’s Executive VP of Products Michael Hoover gives TechBreakfast an early morning product demonstration at the Cakewalk Booth on SONAR V-Studio 700.

Take Control with V-Studio 700

Cakewalk announces the release of SONAR V-Studio 700: The Ultimate Solution for Music Production.

SONAR V-Studio 700 provides the “ultimate solution for creative music production” through a complete offering of finelyy-tuned and tightly-integrated hardware and software.

– Sonar 8 Producer
– VS-700C Control Console
– Vs-700R 1/0 Module
– Onboard Roland Fantom VS Hardware Synthesizer
– V-Link Support for editing and control of EDIROL video hardware

It will be today at the Cakewalk demonstration booth at the 125th AES Conference in San Francisco, CA.

For more information, check out our SONAR V-Studio 700 Website, available in 6 different languages.

Getting Technical: Optimizing SONAR 8 for Vista

With the help of Cakewalk’s Engineering Department, Create Digital Music’s Peter Kirn delves inside the mechanics of SONAR 8. Visit Create Digital Music to learn how SONAR 8 will hold its own in Windows Vista.

Cakewalk’s Noel Borthwick explains, “SONAR 8 introduces several, crucial enhancements for communications with audio devices in Windows Vista, including support for WASAPI (a new audio standard in Windows Vista and future OS), MMCSS task profile support, and WaveRT streaming.”

To view the complete list of enhancements made to the latest version of SONAR, take a look at the posting below.

SONAR 8: The Fine Print

Cakewalk’s CTO Noel Borthwick sheds some light on the features “under the hood” in SONAR 8.

*Note that this list is not a substitute for the official feature list & other features already documented in the SONAR 8 manual. Rather it is a list culled from Cakewalk’s Engineering Department*

Enjoy!

Performance optimizations:

Although every version of SONAR we shipped in the past had some degree of optimization work, SONAR 8 is the first version of SONAR to which we applied the same engineering process to performance optimizations as we do with other more user visible features. i.e. we established goals, built a specification for the optimizations, split up the work into milestones and tracked the progress of these tasks just as we do for other features. To make testing more deterministic, we devised various internal profiling tools in order to track and measure changes in performance across a variety of hardware platforms on XP as well as Vista.

Systems tested included brand new cutting edge platforms from Intel and AMD as well as earlier generation machines.

We split up this work into the following classes of performance enhancements for SONAR 8:

1. CPU and kernel level optimizations – use less of your CPU to do the same amount of work

2. User Interface optimizations – faster drawing, scrolling, zooming

3. Driver level optimizations – more efficient access to drivers, minimizing driver state transitions

4. Vista OS specific optimizations – Better use of MMCSS thread priorities, support for custom MMCSS task profiles, new WASAPI support

5. Audio engine optimizations – optimize “hotspots” in our bussing, streaming and mixing code

As a result of all these changes, SONAR 8 has the following benefits:

– greatly minimized kernel usage. This helps provide more “kernel bandwidth” to drivers who need it the most. More kernel bandwidth translates into less potential for audio glitches.

– Lower CPU usage – translates to better performance at low latency

– More efficient use of audio drivers – esp with ASIO drivers

– Better performance on Windows Vista esp X64. Many of the complaints of Vista performance as compared to XP have been solved with SONAR 8. X64 low latency performance should now be on par with X86.

– Faster application launch

– Less flicker in GUI. Track view splitters no longer flicker when resizing.

– More responsive zoom and scroll with large projects. Zooming with wave files now uses 1/2 the RAM with 24-bit or less stereo or mono files used.

– Better meter performance.

– Improved thread scheduling by insuring threads are properly distributed on processors.

This link shows the overall benefits of SONAR 8 as compared to SONAR 7: http://www.cakewalk.com/Products/SONAR/English/benchmark.asp

Continue reading SONAR 8: The Fine Print

Cakewalk Presents: SONAR 8 and SONAR Home Studio 7

Product Manager Alex Westner reveals all about SONAR 8! Learn about all the new features and control assistance added to make this digital audio workstation the hottest on the market.

Product Manager Samara Krugman reveals ALL about the newest product in the SONAR Home Studio line. Learn about the new features and the improved user-friendly interface found in SONAR Home Studio 7.

Studio Spotlight: Sun Studio

SONAR at Sun Studio: The Birthplace of Rock ‘n’ Roll
Chief Engineer James Lott and Assistant Engineer Matt Ross-Spang

By Randy Alberts

“Our clients love what we do for them here with SONAR,” says James Lott, chief engineer for over 20 years at the legendary Sun Studio in Memphis, Tennessee. “It sounds great and we’ve been using it for a long, long time. But most of all they trust us and how we’re using SONAR to record them. When we tell a band ‘OK, you can move on to the next song now,’ they trust us completely.”

Spoken on behalf of Sun Studio—the birthplace of rock ‘n’ roll and the country’s only National Historic Landmark with a digital audio workstation in the tour—Lott’s professional trust in Cakewalk’s SONAR shouts volumes.

“Like a good horse,” he adds with a laugh, “when something in a studio runs as fast as SONAR and does everything you tell it to, then you’re gonna ride that horse a long, long way.”

Tracking History Then & Now

The sheer history of music behind Sun Studio, since Sam Phillips first built it in 1950, deserves far more space than this story allows- to give it proper justice.

Those who visit Memphis, especially musicians and engineers, would not want to miss taking one of the studio’s daily tours to learn more about the studio’s historic past.

Elvis recorded his first two songs at Sun Studio in 1953 for $3.25, when it was still called Memphis Recording Service. Before Elvis, there was Jackie Brenston & His Delta Cats who recorded the world’s first rock ‘n’ roll single, Rocket 88, at Sun, originally composed by Ike Turner.

James Lott, Cowboy Jack Clement, and Matt Ross Spang. Clement worked at Sun as an engineer. Known for works with Johny Cash, Jerry Lee Lewis, and many other Nashville greats.

With all the history within the studio’s walls—the same cozy 25×20 live room, tight vocal booth, tiny control room, and tiled front office where the original studio manager, Marion Keisker, sat in for the absent Phillips’ to record Elvis’ first songs—Sun is one of the top, most vibrant studios in the world today.

Recently, Lott used SONAR to track, edit, and mix projects for Liz Phair, Matchbox Twenty, Maroon 5 and Bowling for Soup. Tom Petty, a tape devotee, also recorded some new tunes at Sun with the studio’s prized MCI 24-track machine. Another recent SONAR session at Sun involved Amy LaVere, an Americana music composer and vocalist who expertly plays an upright acoustic bass far taller than she. Billy Bob Thornton’s band too, was due in for another Sun session shortly after our interview with Lott.

“The vibe of this place, this sort of ‘welcome homey’ kind of feel, is really what brings people back here all the time,” says Lott.

“Billy Bob is a longtime friend of Sun, in here for the fourth or fifth time now, and it’s his birthday, too. He told us that he wanted to come celebrate and to make some music up in here. It’s very old school here: not much has changed from the old days. There’s the same floor tiles, control room, front office, and even old lamps from the ’50s hanging from the ceiling. Even Marion’s front desk is still here, the same one she was sitting at when Elvis first walked in the door. Besides our staff and the gear we use, it’s the original vintage vibe of this place that keeps ‘em comin’ back.”

Continue reading Studio Spotlight: Sun Studio

Cakewalk: Celebrating 20 Years

Cakewalk celebrates 20 years in the music software industry! Employees, partners, and supporters take a look back on past experiences working with Cakewalk and it’s products; sharing fond memories and hopes for the future. An entertaining eye-opener of who and what’s brewing behind the scenes at Cakewalk.

Click here to see the video.

Artist Spotlight: Trev Wilkins

Trev Wilkins and Scadge Productions:

Rely on the sound of Cakewalk’s SONAR:

“It’s the ‘Swiss Army Knife’ of our studio!”

The best recording studios are those that get results, and to do that the engineers need to understand exactly what the client wants. And what better way to understand what’s required than to have had a career that spans almost every possible stage of the music creation process?

For Trev Wilkins, owner and engineer of Telford-based Scadge Productions, the last 25 years have seen him take on all manner of roles in the industry – from running recording studios, touring as both a musician and engineer, authoring books and producing videos to order.

It’s this wealth of real-world experience that’s made Scadge Productions the first choice of production venue for clients who need guaranteed results. “We have to be very flexible in our approach here at Scadge,” Trev says. “We’re recording a choir one day, then we’ll have a video interview the next, perhaps a rock band in the day after that. Consequently we can’t afford to spend time fiddling around with anything in the studio, especially the software. We need to guarantee that we can get the job done and cover any eventuality quickly and with total confidence – and that’s where SONAR shines through – we rely on it as the ‘Swiss Army Knife’ of our studio!”

Continue reading Artist Spotlight: Trev Wilkins