A few weeks back, we released this video demonstrating the drastic speed improvement when inserting 100 blank audio tracks into the current edition of SONAR.
If you saw that video, you’ll recall that SONAR Platinum, in less than one second, accomplished what SONAR X3 took about 13 seconds to complete — a 2,600% improvement!
As we continue to make improvements to SONAR Platinum (and Artist & Professional as well) through Rolling Updates, we thought it might be fun to race SONAR Platinum against SONAR X3 Producer in their ability to import actual audio files.
The video below, complete with drag race audio, a rock n’ roll soundtrack, and a couple of millisecond-accurate stopwatches, places SONAR Platinum and SONAR X3 Producer side-by-side to see who is the real speed demon.
I’ll spoil it a little and tell you that SONAR Platinum is the winner here, but the illustrated difference in speed may truly shock you!
LA-based producer/mixer/musician (and former Lifehouse guitarist) Jorg Kohring was busy in November remixing the single “On Fire” off his last record. The remix/rerelease just hit over 15.000 views on YouTube in a little over two weeks. Jorg told us, “This remix is doing really well, people love the sound and production which is all done in SONAR Platinum. YouTube began putting some high profile ads in front of the video, so I think we may be seeing a lot more activity with the video as it gets in front of more people. It was interesting to remix a song in Platinum that was originally produced and mixed in SONAR X3. The new SONAR has really come a long way and it shows in the mix.” ~Jorg Kohring
LA producer/musician Yogi Lonich has been quite busy these days inside and outside of SONAR. He recently performed with Scott Weiland in Las Vegas at the Sayer’s Club, and is also currently rehearsing for international tour dates with Chinese pop star Jason Zhang in 2016. Yogi is the master of diversity with SONAR; he is currently recording his new record Run Through the Desert due out in 2016, while also composing and producing for shows such as Wahlburgers, Freaks and Geeks, Donny Loves Jenny and Long Island Lock Up to name a few. He also just co-wrote and recorded a song completely in SONAR with LA actress/singer/producer Rita Wilson (Sleepless in Seattle, Runaway Bride, My Big Fat Greek Wedding) with no release date announced yet for that track.
“The Drum Replacer in SONAR Platinum is something I am constantly using.” ~Yogi Lonich
Dallas musician/songwriter/producer/mixer and SONAR user Norman Matthew of MURDER FM has been on tour in November co-headlining the REVOLVER Magazine “South for the Win Tour” w Seasons After. The band’s debut (Major Label affiliated) record “Happily Neverafter” came out late summer, and it’s been nonstop ever since for Norman and the group. The record was tracked and created in SONAR Platinum, and then mixed by Beau Hill before being released on Famous Record Global/Sony Red. Besides Beau’s contributions, plenty of firepower went into the release including track-collaborations with Will Hunt of Evanescence and even an official remix of the single by Tommy Lee of Motley Crue.
The band is home for a few weeks now gearing up for yet another west coast/mid-west run with Hed Pe and Alien Ant Farm kicking off in Seattle on December 3, 2015. For more information on the bands whereabouts visit http://www.murderfmmusic.com/.
“Upgrading from X3 to Platinum changed the way I make music. Platinum is like having a creative assistant.” ~Norman Matthew
Producer/DJ R1CKONE has spent most of his November on tour over in Europe and the U.K. with the reunion of Crazy Town in support of their new record titled Brimstone Sluggers. R1CKONE who collaborated on the new record operates his [semi-private] SONAR studio in Hollywood for 3013 Music Group and has been busy developing many artists in LA area for a number of years. In December he will be back working on new tracks for Shifty and Epic, but for now he is just enjoying Europe’s seasonal offerings.
“I’m constantly creating and constantly seeing folks with other DAWs. There is no way I could do what I do on any other platform other than SONAR.” ~R1CKONE
Compiling or “Comping” takes is relatively new to sound recording. With the increased ability of technology has come the increased desire to comp with excruciating attention to detail, sometimes all the way down to a syllable or note, to create “The Perfect Take.”
The Acoustic and Electrical Eras (1877-1945)
When audio recording was first introduced, it was an entirely mechanical process. Comping did not exist. In fact, neither did mixing as we know it. Everything was recorded in one take, and level adjustments were made by moving musicians closer to or farther from the horn–essentially the microphone of its time.
In the primitive stages of this recording format, it was not uncommon to have copies of the same record that sounded entirely different. This was because if a band wanted to release 1,000 copies of a song, they would have to record it 1,000 different times, each take resulting in its own uniquely-performed copy. (more…)
Mix Recall takes your mixing to another level by offering SONAR Artist, Professional, and Platinum users the ability to save different mix scenes of the same mix within a single project. Mix Recall saves track parameters, bus parameters, and even instrument presets. A great way to use this feature is to audition different drumkits using the included Addictive Drums 2.
Instruments these days are full of all kinds of choices, especially ones that are as expansive as Addictive Drums 2. When working on a track I like to take the same pattern and switch between the custom kits that I’ve made. Addictive Drums 2 and Addictive Drums 1 both let the user take pieces of all the different kits that it comes with to make your own. Mix Recall let’s you take this workflow a step further.
Original drum passage
Here we have a simple Indie Kit from Addictive Drums:
Saving the first mix scene
Go to the Mix Recall module in SONAR and click on (more…)
by Dan Gonzalez
Mixing is and always will be one of the core elements of each and every DAW. Here at Cakewalk, SONAR features hundreds of a ways to mix and process your tracks for personal and commercial use. Here are some of the most popular articles we have featured in 2014.
How to use Reverb to create depth
Mix engineers that have had their time behind a board can pick out the misuse of Reverb when they hear it. Just like with anything, applying the proper Reverb requires more time than just scrolling through the presets of the basic Hall, Room, and Plate algorithms. Music tends to have a significant three-dimensional experience to it. This concept requires the understanding of width, height, and depth. Check out this article on how to use reverb in your mix.
Subtractive EQ Parts 1-5
Equalization is one of the most powerful tools that an audio engineer can get their hands on. Live engineers, post-production engineers, and recording engineers all have their specific uses for it. It’s so powerful that some beginner engineers habitually reach for it without understanding what it can ultimately do to a mix. Check out this 5 part series about how to properly apply EQ
Overloud’s VKFX Delay Module is a rendition of a classic tape delay with an incredible set of parameters that virtually allows you to get just about any sound you please. Check out this frequently read article about how to use this powerful ProChannel module.
Know Your Signal Flow in SONAR
Signal Flow is an important concept to understand, and it may be easier to think about when presented with a diagram of how audio is passes through SONAR. Read the article here.
Ten Nasty Mix Mistakes
Mixing is tough enough as is, but avoiding the following mistakes just might help the process go a little more smoothly—and give you audibly better results. Check out this awesome article by Craig Anderton.
Shop the NEW Cakewalk Store We are pleased and excited to announce Shop.cakewalk.com, our brand new store for Cakewalk software, upgrades, plugins, and extras! Cakewalk has partnered with Cleverbridge to offer a more seamless shopping experience and improve access for Cakewalk users around the globe.
Cakewalk SSO (single sign on) accounts will let you access the Cakewalk Store, Forum, Support, and Registration with one username and password! All of your previous purchases will be transferred when you create a new account.
Intelligent upgrade pricing, once you are logged in you see your best upgrade price for all qualifying products once you add them to your cart.
Store checkout pages can be translated in over 20 languages (Spanish, French, German, Italian, Japanese, Dutch, Portuguese, and more)!
Now accepting purchases in over 20 currencies (USD, Australian Dollar, Canadian Dollar, Euro, British Pounds, Japanese Yen, Swiss Franc, Brazilian Real, and more)!
Great products on sale now and new products to come soon!
Save 60% off your Upgrade to SONAR X3 (all versions) – Ends Dec. 31 You have been waiting all year for a really great deal on SONAR X3, and you almost missed your chance! Save an additional 60% off your usual upgrade price to any version of SONAR X3 – now through December 31st. Any version you choose is an unbeatable value with something new to inspire great music.
Choose your version below and login to see your best upgrade price! SONAR X3 includes the breakthrough Comping workflow and VST3 support.
Regularly $99, Upgrades start at $19!
Craig Anderton brings you on a DSP-inspired journey through all the different ways in which you can get your vocals processed and finalized. Various topics involving the VX-64, EQ, Compression, Expansion, and much more. Check out the article here.
How to use a vocal double to enhance lead vocals
One of the toughest things about working with a lead vocal track is getting it to pop out, while allowing it to still sit in the track nicely in context with its surroundings [other tracks]. Every mixing engineer has her/his bag of tricks, but here are a few ideas to utilize a “vocal-double” which may help support and embellish the lead vocal track. Cakewalk guru Jimmy Landry shows you how he worked on the vocals for his Javier Colon demo track. Check out the article here.
Make your voice sound thicker (studio & producer)
Vocal production can lead to many different types of processing. Sometimes subtle enhancements to your vocals can make all the difference in the final mix. SONAR X3 Studio and Producer introduces Melodyne Essential as a fully integrated and pitch correction editor. This easy to use software allows users to access their Melodyne right from the Multi-Dock without needing to perform any special tricks within the software – including fattening up your vocals. Check out this highly-read article here.
Make your voice sound like Daft Punk with Melodyne Editor and SONAR X3 Producer
Certain effects have defined generations of music. The decade of the 80’s for example was a major era for reverb. In today’s pop music, the use of pitch correction software seems to be an effect that many artists and producers are utilizing creatively. Daft Punk has been using this effect for a number of years now, making them one of the first to bring this vocal style to the level of popularity it is today. Check out the article here.
Hum a melody and convert it to MIDI using ARA
As a musician, inspiration can hit you on the train, during dinner, or even while you’re driving somewhere. Many musicians carry some sort of recorder around with them. I know sound designers who always have a device ready for taking samples, and guitarists that hum melodies to themselves when they feel they’ve come up with something original that they want to remember. Now you can import your melodies right into SONAR and convert them to MIDI using the innovative ARA integration. Check out the articles here.
Entering the studio can be a stressful task if it is your first time. Here at Cakewalk we’ve outlined a few things that every guitarist should know before walking into a tracking session. This article has been brought to you by the our reader’s community as one of the most-read articles, so enjoy! You can check out the article here.
Guitar Month Bonus Pack (Free Downloads)
Cakewalk vetern Craig Andertons brings you some of the top guitar-related content that he has in his vast collection of creations. Check out (more…)
Free Quick Kit Project Templates for SONAR X3 Users
Yes, we’re bringing back the freebie post from last December. Our Free Quick Kit Project Templates made a big splash with the community as one of our top posts over the last 12 months. These pre-mixed project templates load right from quick start menu in all three versions of SONAR X3 without any assembly required. Open a quick kit, drop in your sequence, and you’re ready to rock with great sounding drums. Now we’re opening it up to anyone who has Session Drummer 3 in their arsenal. Download the free pack here.
9 Microphone Techniques for Recording a Snare Drum
Ever wanted to know how to mic up a snare drum? Well we wrote a comprehensive article about 9 different ways to do it. This article is brought to you by the community of Cakewalk readers that follow the blog and read it regularly. Check out the article here.
What’s New in Addictive Drums 2?
2014 brought us more than just content, it brought us Addictive Drums 2. Ever since we’ve posted our extensive video about XLN Audio’s new instrument we’ve heard nothing but great reviews. Here’s our most popular video chosen by the readers of The Cakewalk Blog. Check it out here.
Subtractive EQ Part 1: Snare Drum
Here’s one of our most popular posts this past year in case you missed it the first time around. There are a ton parts to this series, but the first part has seemed to win over the rest. Here’s a nice thick article about how to apply subtractive EQ to a snare drum. Check it out here.
Setting up your Addictive Drums
Check out how you can easily setup Addictive Drums (1 & 2) to accommodate multiple different working environments within SONAR X3 Studio and Producer. This one of kind drum synth is the best of the best. Check out the article here.
How to use Compression on Snare Drum in SONAR X3
Using compression is one of those tools that is tricky to understand if you’re not familiar with how the different audio signals in your mix. Check out our most viewed video from the extensive video series about using the CA-2A Leveling Amp on snare drum. Check out the video here.
How to Compress Drum Reverb in SONAR X3
Another popular drum related video from the Compression video series is #6 where I give some tips on using compression on drum reverb. You can see the video here.
Producing Drum Samples in SONAR X3
Last but not least we’ve seen that our community has really enjoyed our Producing Drum Samples video series. This video series is available to watch here and guides you through some awesome ways to mix and EQ drum samples to your liking.
If you’re looking for more Drum Production tips check out the tag for this on our blog here.
In the past 3 articles we have looked at basic tools for drum editing as well as identifying, splitting, cropping, and aligning clips. All of these techniques can be followed pretty accurately by reading along and performing the functions as I’ve written them. This portion of the blog series will require that you listen intently to what you’re doing as we work through it.
Make sure to wear headphones and get your critical listening ears on so that your drum edits are clean and not full of pops. Previously I mentioned that we would need to monitor our drums as we edit them and that erroneous edits come through the most in the cymbal microphones. In order to make this possible we’re going to mute the tom tracks and lower the volume for the kick and snare tracks. This exposes mostly high hat, ride, and overhead microphone signals. Also, make sure to pan the overhead microphone signals hard left and right too.
STEP 14: Turn on Auto Crossfade
SONAR is known for it’s streamlined feel and quick functions. One of the best examples of this is SONAR’s auto cross-fade functionality. Since we’re putting this drum pattern back together we’ll need some speedy way of making sure the clips do not pop when overlapping.
Within the track view click on the Options > Auto Crossfade. This feature allows you to crop one clip into another and automatically yield a cross fade. (more…)