Setting Up Your Studio for Surround Sound (Producer/Studio)

Interested in Surround Sound Mixing? Well both SONAR Studio and Producer both have the ability to route to many different speakers using our Surround Bus and Surround Panner. Check out this short 3 minute video that shows you how easy it is to get this going in your studio.

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7 Steps to Cleaning Up Your “ACT” with Hardware

by Craig Anderton

ACT (Active Controller Technology; in SONAR) is a powerful protocol, and its complexity can be sufficiently daunting that some people never take advantage of it. However, one of the rarely-considered advantages of a powerful protocol is that it’s often powerful enough to be used in a more basic way. So if you’ve wanted to take advantage of ACT without having to reach for the aspirin, you’re in the right place.

The conventional approach to ACT is using templates that let you apply hands-on control to various instruments and effects. This usually implies having a dedicated controller, spending some time setting up assignments and creating templates, and so on. However, you can also treat ACT more like a “controller scratch pad” that’s easy, efficient, and works with just about any MIDI controller. It’s the ideal solution for when you simply want some hands-on control without having to venture very far into left-brain territory.

Step 1: Choose Your Controller

One of my favorite ACT controllers is Native Instruments’ discontinued Kore 2 controller. The industrial design is first-class, it’s built solidly, and there’s enough functionality for what we need. Another advantage is that when NI stopped supporting Kore, the eBay prices took a major tumble. Although the examples in this article are based on Kore, please note that the same principles apply to virtually any MIDI controller.

Step 2: Grab Your Software

Many controllers have dedicated drivers, so if needed, make sure you have the latest. NI still offers the 32/64-bit Kore 2 Controller Driver 3.0.0 and the latest NI Controller Editor, which you can download for free from their site. Follow the instructions when installing, or you’ll wonder why the controller doesn’t work.

(Note: With the Kore 2 controller, you may first be greeted with an unusable bright red display. No worries: Hit Kore 2’s F2 button, navigate to Set, hit Enter, and use the navigation buttons and data wheel to control the Contrast and Backlight parameter values.)

The Controller Editor for NI’s Kore lets you specify various characteristics of the Kore 2 controller. In this picture, a button is being assigned to output a trigger when pushed down.

Various controllers may have options—such as assigning buttons to a latch, toggle, or trigger mode. Many of them have editors; Kore 2’s is somewhat more sophisticated than many others, but again, the principles are the same. In the case of Kore you open the Editor, select Kore Controller 2 from the drop-down menu, and use the Edit button in the Templates tab to choose New. This creates a general purpose MIDI control template. (While you’re at it, I recommend assigning the eight main buttons associated with the pots to Trigger, and action on Down. For a shift button, assign the monitor [speaker icon] button to Gate, again with action on down. Go to the file menu, and save the configuration as “Sonar ACT.ncc.”)

Step 3: Set Up SONAR

Your controller communicates with SONAR via MIDI, so go to the (more…)

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SONAR for Songwriters – By Craig Anderton

by Craig Anderton

Ask songwriters about writing on a computer, and many of them will tell you it’s a creativity killer—as they reach for an acoustic guitar or piano to get their ideas down. But it doesn’t have to be that way. Although DAWs are thought of traditionally as being all about recording, editing, and mixing, for reasons we’ll cover here I’d rather boot up Sonar for songwriting as well.

Approaches to songwriting vary considerably, from those who strum some chords on a guitar for ideas, to those who start with beats, to those who seem to draw inspiration out of nowhere, and want to record what they hear quickly—before the inspiration fades. As a result, this article isn’t about what you should do to write songs, but rather, describes some particular Sonar tools in depth—some (or all) of which might be very helpful if you’re into songwriting.

Although songwriting styles are very personal, I think we can nonetheless agree on a few general points: While songwriting, you want your tools to stay out of the way and be transparent. You want a smooth-flowing, efficient, simple process; songwriting isn’t about endlessly tweaking a synth bass patch, but about coming up with a great bass part—thanks to the fluid nature of digital recording, just about anything can be replaced or refined at a later date. You want an environment that can simplify turning your abstract ideas into something tangible, while losing as little as possible in the translation. So, let’s look at some Sonar techniques that can help you accomplish that goal.

THE MIDI QUICK START

Normally you need to arm a MIDI track before you can record on it, but it’s possible to defeat this so that recording starts on any selected MIDI track as soon as you click on the transport’s Record button. I realize the default setting is there to prevent accidental overwriting of MIDI tracks, but personally, I find not having to arm a track liberating—it saves time and makes the recording process flow faster. To do this:

  1. Go Edit > Preferences > MIDI > Playback and Recording.
  2. Check the box for “Allow MIDI Recording without an Armed Track” (the 1st box under Record).
  3. Click Apply then OK to close preferences.

It’s possible to record MIDI tracks without having to arm them first, which can be a real time-saver over the course of a song.

 

TEMPLATE FILES (more…)

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4 Tips for Songwriters Before Entering the Recording Studio

1. Eliminate uncertainties with a pre-production demo.

If there is a single doubt in your mind about a song on your record then it’s time to sit down and work out those uncertainties before you get into the studio. Idolizing a recording studio as a creative space is only productive when you’ve booked studio time for being creative. Get that demo sounding as close to the final product as possible so that every part and idea is thought out.

SONAR X3 is ideal for experimenting with those finishing touches. For example, TH2 is a great way to easily grab an amp tone for your bass or guitar. The advanced sound behind Overloud’s flagship product allows you to change amps, input your own impulse responses, and get as close to your final product as you can. The best part about it is that it’s a virtual amp, so you don’t have to commit to your final guitar sound until you’re in your mixing stage.

 

2. Learn the songs cold.

Studio preparation should involve regular and productive practice schedules. Try to learn the songs so that you can play them all the way through without stopping. Playing full takes will get you the best possible performances of your song and allow you to think more about the other players rather than yourself. (more…)

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6 Tips for Songwriters in SONAR

by Dan Gonzalez

SONAR helps songwriters improve their creativity and workflow by offering tons of features that are engineered specifically for them. In this video we’ve outlined some of our favorite tools to that save you time while you’re developing your next musical idea.

 
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AD2: Pitch Envelopes and much more than just drum samples

by Dan Gonzalez

Yes, that’s right. You may think that Addictive Drums is just a simple sample player but it’s actually an impressive tool for sound design. XLN Audio has the program set so that you can only use the sounds they publish. BUT, the engine that processes these sounds is so powerful that you can virtually get any sound you could ever need from the drums they supply.

Next time you are in Addictive Drums check out the Edit section within this program and brace yourself. There are tons (more…)

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SONAR X3 Producer: Can You Ever Have Enough Virtual Instruments?

If you love virtual instruments then you’ll be happy with your upgrade to SONAR X3 Producer. We’ve got instruments for every use case, skill level, and genre of music. Who needs a band when you’ve got SONAR X3′s array of instruments at your disposal.

1. Addictive Drums

Hailing from the beautiful city of Stockholm – XLN Audio brings Cakewalk users a bountiful set of sounds inside of their flagship program Addictive Drums. The program consists of some of the best drum samples that you could possibly get that are completely optimized for both hardcore and first time users.

2. Dimension

A classic in the Cakewalk world. Dimension is a powerhouse sample based virtual instrument that can play extensive libraries consisting of drums, guitars, strings, etc. (more…)

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Understanding Virtual Instrument Routing in SONAR

by Dan Gonzalez

Are you new to SONAR? Well then this article is for you!

SONAR acts a bit differently than some of it’s competitors – especially when it comes to inserting, routing, and using virtual instruments. Let’s take a look at the way these work inside of SONAR:

1. You can insert a virtual instrument in a few different places within SONAR

The first way is by selecting from the main menu along the top of SONAR: Insert > Soft Synth > (type of plugin) > (plugin)

Another useful way is to use the Synth Rack and click on the “+” button. This will expose a similar list.

Lastly, one of the quickest and easiest ways (more…)

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Virtual Instruments: 5 Tips For The Z3TA+ Junkie

Here are some of our favorite Z3TA+ tips and videos from our archive:

1. EDM Production – Enhance Your Drums with Z3TA+ 2

  • Insert two instances of Z3TA+ 2.
  • Copy your drum sequence to both Z3TA+ 2 tracks.
  • Isolate the Kick on one track and the Snare on the other.
  • Setup the first Z3TA+ 2 to generate a Sine Wave for the Kick.
  • Setup the second Z3TA+ 2 to generate White Noise for the Snare.
  • Adjust the Amplifier Envelope to match the duration of each hit.
  • Within Z3TA+ 2 add Reverb, Compression, and EQ.
  • Mix in under your existing Drum Loop.

2. How to Customize Z3tA+ 2′s Stock Arpeggios

Z3TA+ 2 comes packed with a massive pool of MIDI programs that power it’s internal Arpeggiator, but why stick to the stock programs when you can make your own?

Here’s how:

  • Open Z3TA+2 and activate the Arpeggiator Section
  • Right-Click on the sequence in the arpeggiator and make sure the following are checked
  • Auto Disable Pattern When Dragged to Host
  • Auto Fit Patterns to One Measure When Loaded
  • Load one of the Arpeggios from the Pattern menu
  • Drag and Drop the Arpeggios right into SONAR X2
  • Edit the MIDI Clip to your liking
  • Go to File > Save As
  • Select MIDI 0 in “Save as type”
  • Go to C:\Cakewalk Content\Z3TA+ 2\MIDI Arpeggios and Save it
  • Load it into Z3TA+2′s Arpeggiator by going to Pattern > Load MIDI File…

3. How to create a bass synth with Z3tA+ 2

Who doesn’t like bass? Especially synth bass. Z3TA+ 2 is the answer to all of your sound design needs especially when you are looking to improve your production in the low end. I’ve put together a short tutorial on how to make a simple bass synth inside of Z3TA+2. Once you understand how everything works together you’ll be able to really start to make this plugin work for you.

Picking the right Oscillators

Within Z3TA+2 the first section you need to start working with is the OSC section. First I’ve selected two different square waves for OSC 1 and 2. They were Vintage Square 1 and Vintage Square 2. When creating a bass synth you need to make sure that your patch will not break up in the low end so be sure not to drop the octaves on the individual oscillators too low. I typically set mine to -2 at the most. Once you get to a certain range the instrument will sound weak and lose it’s driving Bass Synth sound

[READ THE REST OF THE TIP HERE]

4. [VIDEO] Digital Sound Factory Z3TA+  Sound Design

5. [VIDEO] Mixing and Mastering a song using only the Z3TA+ effects engine in SONAR

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5 Awesome Virtual Instrument Tips in SONAR

With thousands of features, workflows, and settings,  even the most hardcore user can miss out on something awesome buried in SONAR. It happens to the best of us. So we’ve put together 5 quick and easy features that can improve your workflow as well as your creativity with Virtual Instruments and Synths. Check out the video here:

 

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