Cakewalk Talk Episode 3 Part 1 – Interview with Daniel Rowland from LANDR

Check out the latest episode of Cakewalk Talk, where Dan Gonzalez interviews audio engineer Daniel Rowland (Adrian Belew, StudioBelew, Accept) about LANDR and his role at the company.

 

We’ve posted a shorter cut below as well.

 

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15-Compressor Shootout: Lead Vocals

No question, there are a lot of compressor plugins out there, and they all have their unique layouts, quirks, and sonic qualities. In the video below, we line up 15 different compressors and demonstrate these differences.

Below the video, you’ll also find a helpful updated list of key features, a downloadable chart, and links to learn more about the compressors that do not come standard with SONAR Platinum. If you’re not familiar many compressor plugins, I recommend starting here.

It’s worth noting that this video demonstrates a limited scope of each compressor’s capabilities. Since the compressor is being used to level out a vocal performance, each one has been set up optimally for the application, usually with a low ratio and fairly fast attack and release wherever applicable.

Every possible measure was taken to keep the responses and output levels of each compressor as uniform as possible so that the shootout makes for a consistent apples-to-apples comparison. In the future, keep an eye out for more of these shootouts, as the same tools might have totally different effects on a snare drum, acoustic guitar, electric bass, or saxophone.

(more…)

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Parallel Compression: Now Easier Than Ever

A few years back, we showed you a bit about Parallel Compression in SONAR. Now that we’ve introduced Patch Points in the Jamaica Plain update, you can do these same things with a much more efficient workflow.

Let’s quickly define parallel processing: In parallel processing, a signal is duplicated into two or more signals. Each copy of the signal is processed differently but plays back simultaneously with the original. The copy/copies are then mixed together.

Parallel Compression Diagram_600x222

Parallel Compression, aka “New York Compression,” is most commonly used on drums to add body to the drum mix without flattening the snappy transients.

Check out the video below to see just how easy (and great sounding) this technique can be:

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Setting Up Your Studio for Surround Sound (Producer/Studio)

Interested in Surround Sound Mixing? Well both SONAR Studio and Producer both have the ability to route to many different speakers using our Surround Bus and Surround Panner. Check out this short 3 minute video that shows you how easy it is to get this going in your studio.

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How to set-up an Audio Interface for Windows Recording

Studio Makeover Month
Tips to help you build your dream studio all through August 
Your studio is where the magic happens! If your music is important to you, then so is your gear, your space, and of course your software. We are focusing this month on tips to help you build the perfect setup to capture the moment when inspiration strikes.

Video Part 1: How to set-up an Audio Interface for recording

TASCAM UH-7000Setting up a new audio interface can be tricky so we’ve put together a solid 3 part video series that shows you all the ins and outs of the process. We’ve used the brand new TASCAM UH-7000 with SONAR X3 Producer to show you the  basic workflow for getting you ready to record. This knowledge can be applied to any interface when working with SONAR.

Video Part 2: How to set-up an Audio Interface for recording
In part 2 we become more focused on the software-end of things (more…)

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6 Tips for Songwriters in SONAR

by Dan Gonzalez

SONAR helps songwriters improve their creativity and workflow by offering tons of features that are engineered specifically for them. In this video we’ve outlined some of our favorite tools to that save you time while you’re developing your next musical idea.

 
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SONAR X3 Producer: Can You Ever Have Enough Virtual Instruments?

If you love virtual instruments then you’ll be happy with your upgrade to SONAR X3 Producer. We’ve got instruments for every use case, skill level, and genre of music. Who needs a band when you’ve got SONAR X3′s array of instruments at your disposal.

1. Addictive Drums

Hailing from the beautiful city of Stockholm – XLN Audio brings Cakewalk users a bountiful set of sounds inside of their flagship program Addictive Drums. The program consists of some of the best drum samples that you could possibly get that are completely optimized for both hardcore and first time users.

2. Dimension

A classic in the Cakewalk world. Dimension is a powerhouse sample based virtual instrument that can play extensive libraries consisting of drums, guitars, strings, etc. (more…)

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Virtual Instruments: 5 Tips For The Z3TA+ Junkie

Here are some of our favorite Z3TA+ tips and videos from our archive:

1. EDM Production – Enhance Your Drums with Z3TA+ 2

  • Insert two instances of Z3TA+ 2.
  • Copy your drum sequence to both Z3TA+ 2 tracks.
  • Isolate the Kick on one track and the Snare on the other.
  • Setup the first Z3TA+ 2 to generate a Sine Wave for the Kick.
  • Setup the second Z3TA+ 2 to generate White Noise for the Snare.
  • Adjust the Amplifier Envelope to match the duration of each hit.
  • Within Z3TA+ 2 add Reverb, Compression, and EQ.
  • Mix in under your existing Drum Loop.

2. How to Customize Z3tA+ 2′s Stock Arpeggios

Z3TA+ 2 comes packed with a massive pool of MIDI programs that power it’s internal Arpeggiator, but why stick to the stock programs when you can make your own?

Here’s how:

  • Open Z3TA+2 and activate the Arpeggiator Section
  • Right-Click on the sequence in the arpeggiator and make sure the following are checked
  • Auto Disable Pattern When Dragged to Host
  • Auto Fit Patterns to One Measure When Loaded
  • Load one of the Arpeggios from the Pattern menu
  • Drag and Drop the Arpeggios right into SONAR X2
  • Edit the MIDI Clip to your liking
  • Go to File > Save As
  • Select MIDI 0 in “Save as type”
  • Go to C:\Cakewalk Content\Z3TA+ 2\MIDI Arpeggios and Save it
  • Load it into Z3TA+2′s Arpeggiator by going to Pattern > Load MIDI File…

3. How to create a bass synth with Z3tA+ 2

Who doesn’t like bass? Especially synth bass. Z3TA+ 2 is the answer to all of your sound design needs especially when you are looking to improve your production in the low end. I’ve put together a short tutorial on how to make a simple bass synth inside of Z3TA+2. Once you understand how everything works together you’ll be able to really start to make this plugin work for you.

Picking the right Oscillators

Within Z3TA+2 the first section you need to start working with is the OSC section. First I’ve selected two different square waves for OSC 1 and 2. They were Vintage Square 1 and Vintage Square 2. When creating a bass synth you need to make sure that your patch will not break up in the low end so be sure not to drop the octaves on the individual oscillators too low. I typically set mine to -2 at the most. Once you get to a certain range the instrument will sound weak and lose it’s driving Bass Synth sound

[READ THE REST OF THE TIP HERE]

4. [VIDEO] Digital Sound Factory Z3TA+  Sound Design

5. [VIDEO] Mixing and Mastering a song using only the Z3TA+ effects engine in SONAR

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5 Awesome Virtual Instrument Tips in SONAR

With thousands of features, workflows, and settings,  even the most hardcore user can miss out on something awesome buried in SONAR. It happens to the best of us. So we’ve put together 5 quick and easy features that can improve your workflow as well as your creativity with Virtual Instruments and Synths. Check out the video here:

 

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Making A Kick Drum in Z3TA+ 2 (Video Tutorial)

Z3TA+ 2′s powerful synth engine is capable of creating all kinds of different sounds. Creating your own EDM Kick Drum is a great way to learn how a synthesizer works – especially when it comes to routing. Check out this free video tutorial on creating your own custom kick drum in Z3tA+ 2.

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