How to Create Deluxe SlapBack Echo Using Channel Tools in SONAR X1

I love to use mono slapback echo to support lead vocals or guitar solos. This classic effect has been used for decades and continues to be an important music production technique. Slapback has its roots in reel to reel tape and is characterized by the vocal or guitar part mixed with a single, audible echo.
While, you might associate this effect with late 50’s rockabilly, slapback echo is probably more common than reverb on modern pop and rock mixes. I often use a slapback delay along with other beat synced stereo delays as an important part of a lead vocal sound.

One of the quickest and easiest ways to set up a master slap-back delay effect in SONAR X1 is to use the Channel Tools effect. Channel Tools is the swiss army knife of effects offering a range of stereo imaging tools that are more handy than glamorous. For this application it’s the simple left and right delay controls that get the job done with minimal complexity.

Here is the setup:

1. Create a bus channel and insert the Channel Tools effect. Label the bus “Slapback”

Channel Tools

Continue reading How to Create Deluxe SlapBack Echo Using Channel Tools in SONAR X1 SONAR 8 is ‘Better at the Core’ gives SONAR 8 Producer high marks in their upcoming March review, stating that “version 8 is one of the most compelling SONAR upgrades in years.”

Critic Allan Metts gives props to SONAR 8’s programming and performance enhancements, including its compatibility with Microsoft VISTA and WASAPI (Windows audio-driver platform) support. Metts also commends the addition of four new plugins (TL64 Tube Leveler, Channel Tools, TS64 Transient Shaper, N.I.’s Guitar Rig 3) and three new virtual instruments (Beatscape, DImension Pro, True Pianos:Amber Module).

With more words to say than room, EMusician posted an exclusive online bonus article, in which Metts calls SONAR 8 “better at the core”.