- Recording and making music on the PC or Mac
In any project you will have tracks and these tracks are routed to busses. Sending a track to a bus and not directly to the Master output gives you additional control and allows you to take a group of similar track, like back ground vocals and control the overall volume, pan, add effects, EQ and so on. SONAR has many flexible mixing and routing features to help you get the most out of your project.
Designed by Roland, the Fantom VS hardware synthesizer is built into the SONAR V-Studio 700R interface. It’s a perfect complement to the powerful SONAR digital audio workstation. The Fantom VS includes 1400 patches suited for all kinds of productions and accepts Roland’s specialized ARX expansion cards for piano, drums, brass, and more. Watch the video below and visit the SONAR V-Studio website for more information.
Create Digital Music’s Peter Kirn takes you on an extensive tour of the SONAR V-Studio 100 as a mixer, interface, control surface, digital recorder and more in his latest review. This all-in-one portable studio for Mac & PC charms Peter with its durable shell, touch-sensitive controls, and many included features. Small enough to fit most backpacks and carrying cases, this unit is a great addition to the travelling musician’s gig bag.
Peter takes an in-depth look at the VS-100. Read his entire review at Create Digital Music.com
Digifreq’s Scott Garrigus just received his new Cakewalk SONAR V-Studio 700; the ultimate music production system. See how the V-Studio 700 looks when it first comes out of the box. Check out all of the accessories that are included and get a quick tour of the VS-700R I/O & VS-700C control surface. Watch Scott’s unboxing video below and be sure to check out Digifreq.com for more SONAR tips and tricks!
Pick up the latest issue of MIX Magazine to see an extensive review of the complete SONAR V-Studio 700 system. Engineer and MIX contributor, Tony Nunes, tests the SONAR V-Studio 700 in his home studio and during a commercial studio tracking session.
For testing purposes, Nunes interfaced the SONAR V-Studio 700 with a machine running a 32-bit Windows Vista Ultimate operating system powered by 3GHz Intel Core Extreme CPU Q6850 with 4GB of RAM. He also installed the latest software and firmware updates to ensure that the system’s various parts would work at the greatest potential in each environment.
Read the full review to get a closer look at SONAR V-Studio 700′s control surface (V-700C), the I/O and Roland Fantom VS Synth (V-700R), and digital audio workstation (SONAR 8 Producer). Here’s a few of our favorite quotes from Nunes’ stellar review:
“The V-700C is a full blooded control surface that’s tightly integrated with SONAR. Top features include EQ and plug-in manipulation… The V-700C’s faders are a step above the rest with unique features such as Channel Branch mode and locking faders.”
“The V-700R is a solid 24-bit/192 kHz USB interface with a plethora of inputs and outputs that sound clean, detailed and unbiased… the expandable Roland Fantom VS Synth is attractive to keyboardists and saves CPU load.”
“Plug-in manipulation was a breeze with ACT, which brilliantly mapped SONAR’s TL-64 and VC-64 plug-ins to the Channel Strip control section. I also appreciated how quickly I could access all the different SONAR views from the Access Panel, while the T-Bar combined with SONAR’s X-Ray kept my plug-ins from cluttering up my screen’s real estate.”
ALSO Check out this cool interactive SONAR V-Studio 700 graphic!
Future Music Magazine met up with Cakewalk’s Brandon Ryan in Frankfurt, Germany at Musikmesse 2009 in March. Brandon was demonstrating the many functions of SONAR V-Studio 100, giving them a tour of all the knobs, buttons and controls. Watch the video below to get a close up look at Cakewalk’s own Swiss Army Knife:
Sonar Studio VS100 demo at Musikmesse from will seelig on Vimeo.
Please see our latest post about SONAR V-Studio 100 for more information on this product.
Cakewalk Product Specialist Seth Perlstein chats with Into Tomorrow’s Dave Graveline at the 2009 Game Developer’s Conference in San Francisco, California. Into Tomorrow is a syndicated radio program featuring the latest developments in consumer electronics and technology. Over 100 AM & FM radio stations across the US, on Sirius / XM satellite radio and around the world broadcast the 3-hour show on a weekly basis. The pair discuss Cakewalk’s role in outfitting video game developers with the best tools to create music for their projects.
Being eyed by the video game industry’s top composers is Cakewalk by Roland’s flagship product in the V-Studio line of integrated software / hardware solutions, the SONAR V-Studio 700.
Winner of the 2009 MIPA Award for Best Recording Hardware and Keyboard Magazine’s prestigious Key Buy Award, the SONAR V-Studio 700 matches SONAR 8 Producer with the VS-700C multi-function control surface and the VS700R V-Studio 100 I/O audio interface which includes Roland’s Fantom VS Hardware Synthesizer.
For more than 80 years, The NAB Show, produced annually by the National Association of Broadcasters, has served as the premiere event for broadcast technology professionals. But there’s more to the show than just tv and radio broadcasting, it’s the ultimate educational experience! Technology professionals and solutions providers from every corner of the world, come to the show each year to explore every stage of the audio / visual content lifecycle, from creation to consumption.
Cakewalk is one of this year’s exhibitors showing off their state-of-the-art creations at the Las Vegas Convention Center in Las Vegas, Nevada from April 20 through April 23. Follow along with Robin Kelly live from the show, here on The Cakewalk Blog.
Here’s his first post:
At the Roland Systems Group booth, Zac Kenney and I were presenting the SONAR V-Studio 700 as the mixing and editing solution to the V-Mixing system. At the heart of the system, is the M-400 Digital Mixing Console from RSS by Roland. Add to that the personal monitoring system, allowing each live performer to have up to 40 individual monitor mixes and the digital snake whick allows up to 40 channels of audio over a single CAT-5 cable, and you have an extremely impressive live mixing setup.
So how does Cakewalk’s SONAR integrate into this system? You can split the signal coming down the CAT-5 cable and connect it to the network card on your PC. Using the REAC driver, you then have 40 discreet inputs going into SONAR to record each channel individually to their own track.
After the live show the VS-700 becomes the platform for mixing and editing the 40-track live performance. From live venues and houses of workship to broadcast customers, the feedback was extremely good. They were all impressed with the flexibility and depth the SONAR V-Studio System provides. Add to that the ability to harness and control all the power of SONAR via a hardware inferface, and you have a ‘perfect solution’. The Fantom VS is an added bonus as this provides the added ability to add extra synth tracks after recording. The ARX slot was also wowing the customers when the ARX-01 Drum card was added.
In Las Vegas, people seem just about willing to bet on anything, but one thing no one I spoke to today was willing to gamble on was their audio. All through the day, customers were coming up to me explaining bow they prefer to mix in SONAR because it ‘just sounds better’ than other programs. Of course, it is always nice to hear such positive compliments about our flagship DAW but in a way it is extra special to hear this coming from folks who have very high (if not limitless) budgets, allowing them to choose any audio platform they wish. Even with that they are still using SONAR because of it’s quality.
It makes sense if you think about it. SONAR has a 64-bit double precision audio engine, multiple gain stages, and 64-bit/convolution plugins to sweeten the mix.
So YES. In Vegas, people will gamble on just about anything, anything but their audio quality!
That’s it for now. Day 2 starts tomorrow!
Robin Kelly
Cakewalk’s Director of Worldwide MI Sales
Day 2 of Musikmesse started out real well. I opened up the tradeshow daily to see that we had gotten a write-up on page 2 about the fact that the V-Studio console was going to be available to SONAR 8 customers as a stand alone control surface.
I think one important point that was missing from the article, and I couldn’t expect it be written there, was that this is another example of Cakewalk listening to our customers. Some SONAR 8 users told us that they have spent quite a bit of money on their I/O and that you really only need the best control surface possible for SONAR.
We listened, and with just a little bit of work on our part, we will now be able to give them what they asked for, starting this summer. I still personally feel that if anyone had the full experienceof using the entire SONAR V-Studio 700 system together with the I/O and Fantom Synth, they would rethink their decision to only buy the console, but I guess I’m biased.
I kept reading the daily and I also found this nice photo of Ben Klempel and Massimo Barbini posing with the V-Studio 100. Massimo is the Managing Director of Edirol Europe, our distributor in Europe, and a really inspiring guy… I’m gald he’s on our side.
Brandon of course, was in his usual form, knocking out the crowds with his V-Studio 700 Demos.
There’s another good video from the show online. In this video, which should play after an ad, Sonic State interviews Julian from Edirol Europe about the V-Studio 100 and the VS 700C.
Also, the video I wrote about in the blog a couple of days ago, that Craig Anderton shot is now available online at Harmony Central.
When you get to the page, click on ‘Preview Video’ to watch Craig’s pre-show coverage. Alex, Steve, Brandon and I stage a mock argument about what’s important about the V-Studio 100 at around 4:20. You might get a laugh from it.
Signing off,
Carl Jacobson
Ok… I can’t contain myself so we’re going to have blog dessert first and jump right to the end of the day. SONAR V-Studio 700 won the MIPA award for Best Recording Hardware!
If you’re not aware of what the MIPA is or what it means to Cakewalk, just imagine that you won a Grammy award. Over 100 music products magazines worldwide come together each year to vote on what they feel are the best and most innovative products of the last year. So it is such a incredible honor that SONAR V-Studio 700 was selected for this!
Greg Hendershott, Cakewalk’s Founder and CEO and Mr. Kimitaka Kondo Managing Director of Roland Corporation were hand to accept the award.
I’ve uploaded a video clip from the event of our winning the award and Greg and Mr. Kondo’s speech:
And here are some more pictures from the night:
Greg and Mr. Kondo accept the award.
The stage was filled with many happy people, as they called up the winners of all categories.
Charly Steinberg won a Lifetime Achievement award tonight for his work over the years to move music technology forward. It was a moment of sheer transcendence for me to see Greg and Charly together. Cakewalk won a MIPA tonight in a category that beat out Steinberg’s latest offering, and Charly the founder of that same competitor was honored for his life’s work.
Despite how fiercely we have competed over the years, the two of them greeted each other like old friends and had a genuine, warm moment congratulating each other. It really reminded me that we’re all in it for the same reason… to make music and to help people make music. And maybe we shouldn’t forget that are competitors are just like us in that regard. In alot of ways, they help us make better products for you, because we have to continue to innovate to stay competitive with each other.
Anyway enough of the philosophical ramblings. Here’s another photo from the evening, it features some of my favorite people, members of the Cakewalk and Roland team.
From left to right: Masahiro Minowa, Michael Hoover, Robin Kelly, Koichi Mizumoto, Greg Hendershott, Alex Westner, Carl Jacobson (me), Steve Thomas and Brandon Ryan.
Those are genuine smiles you’re seeing in this picture. This team and many other people back in the offices of Cakewalk and Roland, put in a tremendous effort over the last couple years to make SONAR V-Studio 700. To be recognized with a MIPA for that work, really made it all worthwhile.
Well, I need to run to a meeting. Part 2 of Day 2 will be coming soon.
Signing off,
Carl Jacobson
