Add Punch to Your Percussion with SONAR 8’s TS-64 Transient Shaper

One of SONAR 8’s handy new features is the TS-64 Transient Shaper. Although the idea of the transient shaper isn’t new, it’s not a common processor to be bundled with a host DAW.

A transient shaper is a dynamics processor for sculpting the transient dynamics of any percussive-based source material. The TS-64 works best, for example, with drum loops and percussion, electric and acoustic guitars, and piano. While included in SONAR, the TS-64 is not exclusive to the DAW and can be used in any program that accepts VST plug-ins.

Sound On Sound’s Craig Anderton used the tool in SONY Sound Forge and Steinberg’s Wavelab without a hitch! Take a look at his thought on the TS-64 Transient Shaper, it’s controls, and how they can affect the sound of your mix.

Using Envelopes & Automation Controls in SONAR

One of the most cutting-edge features of SONAR is the wide range of automation controls available. While Cakewalk has made use of standard envelopes – volume and pan controls – for a very long time, you can also take your project to the next level through Cakewalk’s plug-in automation.

Why are envelopes so cool? While no one would argue that envelopes and automation give you precise control over your mix with a maximum amount of visual feedback, many people overlook the more creative and non-standard uses for automation. Hopefully, this tip will give you an insight into how to creatively apply automation toyour projects to achieve things that you didn’t think possible!

Learn how to add envelopes to your SONAR mix with this great tip!

NAB 2009: SONAR & V-Mixing System Wow Crowds

For more than 80 years, The NAB Show, produced annually by the National Association of Broadcasters, has served as the premiere event for broadcast technology professionals. But there’s more to the show than just tv and radio broadcasting, it’s the ultimate educational experience! Technology professionals and solutions providers from every corner of the world, come to the show each year to explore every stage of the audio / visual content lifecycle, from creation to consumption.

Cakewalk is one of this year’s exhibitors showing off their state-of-the-art creations at the Las Vegas Convention Center in Las Vegas, Nevada from April 20 through April 23. Follow along with Robin Kelly live from the show, here on The Cakewalk Blog.

Here’s his first post:

At the Roland Systems Group booth, Zac Kenney and I were presenting the SONAR V-Studio 700 as the mixing and editing solution to the V-Mixing system. At the heart of the system, is the M-400 Digital Mixing Console from RSS by Roland. Add to that the personal monitoring system, allowing each live performer to have up to 40 individual monitor mixes and the digital snake whick allows up to 40 channels of audio over a single CAT-5 cable, and you have an extremely impressive live mixing setup.

So how does Cakewalk’s SONAR integrate into this system? You can split the signal coming down the CAT-5 cable and connect it to the network card on your PC. Using the REAC driver, you then have 40 discreet inputs going into SONAR to record each channel individually to their own track.

After the live show the VS-700 becomes the platform for mixing and editing the 40-track live performance. From live venues and houses of workship to broadcast customers, the feedback was extremely good. They were all impressed with the flexibility and depth the SONAR V-Studio System provides. Add to that the ability to harness and control all the power of SONAR via a hardware inferface, and you have a ‘perfect solution’. The Fantom VS is an added bonus as this provides the added ability to add extra synth tracks after recording. The ARX slot was also wowing the customers when the ARX-01 Drum card was added.

In Las Vegas, people seem just about willing to bet on anything, but one thing no one I spoke to today was willing to gamble on was their audio. All through the day, customers were coming up to me explaining bow they prefer to mix in SONAR because it ‘just sounds better’ than other programs. Of course, it is always nice to hear such positive compliments about our flagship DAW but in a way it is extra special to hear this coming from folks who have very high (if not limitless) budgets, allowing them to choose any audio platform they wish. Even with that they are still using SONAR because of it’s quality.

It makes sense if you think about it. SONAR has a 64-bit double precision audio engine, multiple gain stages, and 64-bit/convolution plugins to sweeten the mix.

So YES. In Vegas, people will gamble on just about anything, anything but their audio quality!

That’s it for now. Day 2 starts tomorrow!

Robin Kelly
Cakewalk’s Director of Worldwide MI Sales