Do you think you have what it takes to create the Just Cause 3 Launch Trailer? Now is your chance to prove it! Show us what you can do in a one to two-minute video. Square Enix is giving you complete freedom to come up with your own unique trailer, and the winner will become the official Just Cause 3 launch trailer!
Download the free, fully-functional SONAR Steam Edition demo and enter for a chance to win a Gibson music studio kit, including prizes from Cakewalk, Tascam, Neat Microphones and Epiphone – and a top spec gaming PC-rig!. Submission deadline is November 12th, 2015.
On Friday/Saturday June 12th and 13th, Cakewalk and Gibson will be part of a great music event in Fort Wayne, IN called “Gearfest 2015.” What once started out as a smaller “musician’s conference,” has now transformed into a collective gear-fanatic affair where music equipment enthusiasts from all over the U.S. and beyond converge upon this mid-sized mid-west town. It’s certainly impressive and appreciated by many that Sweetwater has put this much care and effort into bringing together over 400 manufactures along with hundreds of presenters to this world-class event.
On Friday June 12th 11:15am at Gearfest, Cakewalk will be presenting a very interesting panel with U.K. based SONAR Platinum user iLan Bluestone. In the last year, Bluestone has gone from newcomer, to one of the most in-demand new acts on the international dance music scene. This presentation will be an exclusive interview geared [no pun intended] towards a day in the life of a successful touring electronic musician/DJ in today’s industry. The interview will be followed by a demonstration of iLan’s approach to music production on SONAR Platinum.
Also presenting on 2 panels at Gearfest will be Gibson’s own Craig Anderton.
Friday, June 12th, 11:30am – Everything You Need to Know About Dynamics (Craig Anderton) [Conference Hall 2, Room A]
Saturday, June 13th, 9:45am – How to Master in Your DAW (Craig Anderton) [Conference Hall 2, Room A]
Saturday, June 13th, 11:15am – A Conversation with EDM Producer iLan Bluestone (Jimmy Landry/iLan Bluestone) [Conference Hall 2 Room A]
We recently got a chance to sit down with Joerg Kohring who is an LA-based singer/songwriter/producer working out of Los Angeles. Originally from Germany, Joerg found his current musical path originally playing guitar in the award winning band Lifehouse. Since then, he has found success with his own LA-based band Orbit Monkey as well as his production work with other artists. Orbit Monkey’s debut record “Are We Alive” came out in 2011 and the band gained many fans from the recordings. Since then, the band recently released a follow-up EP titled “Born to be Kings” and has released another single/video titled “On Fire” which was recorded and produced completely in SONAR X3.
Musikmesse 2014 brought a lot of things together for Cakewalk in the grander picture under the Gibson Brands family. For the first time, Gibson Pro Audio brought together its family of TASCAM, KRK, Stanton, Onkyo, Cerwin-Vega and Cakewalk at a major trade show – and it was pretty fantastic to say the least. All brands were representing their latest and greatest products to an international group of industry professionals, music creators, musicians and producers from all over the world. Besides the Pro Audio space which covered close to 6,000 square feet, Gibson also had its instrument space on the lower level which sprawled across an even greater area; so there was no shortage of Gibson at Musikmesse this year.
If two spectacular booths are not enough, why not throw in an eye catching/death defying stunt show outside in front of the all the halls? Introducing: The Gibson Motodrome: a 16 meter diameter pitted-cylinder-wall where vintage motorcycles and a speed-racer circa 1928 whizzed around avoiding what would seem to be an inevitable crash. The only logical thing to do after getting this contraption going onsite was to have a visit from Rudolf Schenker who is the guitar player for Germany’s own The Scorpions. Continue reading Cakewalk Integrates with Gibson Brands at Musikmesse Frankfurt 2014
Many guitar players are discovering the advantages of the FRFR (Full Range, Flat Response) guitar amp compared to conventional amps. This isn’t to diss the traditional guitar amp; it’s great, and has its uses. But the FRFR option has some compelling advantages.
A guitar amp does more than make soft signals loud. The cabinet is basically a filter; open-back cabinets reduce bass, closed-back types give more bass, and the high-frequency response starts rolling off at around 5kHz. Also, the preamp and power amp affect the sound dramatically—or Spinal Tap would never have praised the virtues of turning up an amp to eleven.
Guitar amps are wonderful not because they’re precision devices like studio monitors, but because they’re about character. Adding a pedalboard and some cool effects creates a setup that has served us well for decades.
However, conventional guitar amps are generally limited to a particular “signature” sound. Plugging your guitar into a different amp or direct into a PA mixer gives a different sound. Tube amps have their own magic, but also, some drawbacks: Tubes get “soft” over time, wear out, and can become microphonic.
An FRFR amplification system is like a PA or studio monitoring system—clean and accurate. You get your “sound” before it hits the FRFR amp, either through a quality multieffects with amp/cab simulation, or a laptop running amp sim software. This means you’ll get the same sound whether you plug into an FRFR system, PA, or recording setup because your tone isn’t dependent on the specific way an amp colors your sound.
And not just that, but virtual “Nashville tuning” too…and 18-string guitars…with lots of audio examples!
by Craig Anderton
One of the reasons I got into Gibson’s newer guitars is because of the way they implement hex outputs (i.e., each string has its own audio output). Although Gibson isn’t the only company that makes guitars with hex outs, they’ve taken the concept seriously and keep improving on it.
This all started with the HD.6X-Pro back in 2007 (the guitar that’s been in my avatar all these years!), which used a magnetic pickup; since then, the Dark Fire, Dusk Tiger, Firebird X, and Les Paul X have all had hex outs based on piezo pickup technology. The X-series guitars are my favorites, because they’ve increased the isolation between strings by reducing crosstalk even further.
The obvious use for hex outputs is hex processing, like the kind of super-clean, almost synth-like sound you get from distorting each string individually. But using a piezo pickup means it’s also possible to obtain very convincing acoustic guitar sounds, and with hex outputs, you can apply SONAR’s offline pitch transposition to emulate acoustic 12-string guitars as well as 8-string basses, “Nashville” tunings, and even guitars that don’t exist—like a 12-string where the top two strings aren’t doubled, but also transposed up an octave. Or how about an 18-string guitar, where you add another set of six virtual strings transposed up and an octave, and another set transposed down an octave Continue reading HOW TO CREATE A VIRTUAL 12-STRING GUITAR
Things are moving fast and in a very positive direction here at Cakewalk. It’s an exciting time with our new Gibson brand alliance, and we are excited and honored to announce that for the first time we have a presence at the 2014 CES Convention in Las Vegas. CES is known as one of the premier conferences in the world where the top-tiered technology companies come together to show off new products, discuss the current and future climates of the industry, and of course… NETWORK.
Cakewalk’s Head of Artist and Public Relations Jimmy Landry along with Product Specialist Dan Gonzalez will be on location at CES and will be sharing their experiences through our Instagram account as well as our other social media outlets. They will be in the heart of CES at the Gibson tent showing off the power of SONAR X3 along with other Cakewalk products.
Follow Cakewalk on Instagram and Twitter to get real-time updates on all the CES/Cakewalk interaction.
One of our heroes here at Cakewalk passed away today. Les Paul the original guitar hero, namesake of arguably the most popular guitar of all time, and the innovator of multitrack recording, succumbed to complications from pneumonia at White Plains Hospital. Les was 94.
In 2005, I had the distinct honor of dining with Les Paul at the TEC Awards banquet. Cakewalk had been working with Gibson on the launch of the Digital Les Paul, which included a copy of SONAR Producer, and Henry Juszkiewicz, Gibson’s CEO asked me to join him and Les for dinner. I was so psyched to meet Les, being both a guitar player and someone involved in the art of recording, he represented a double inspiration to me. And getting to sit with Les for a few hours and listen to him casually talk about all sorts of topics ranging from guitar, to recording, to women (yes he was quite flirt, even as an nonagenarian…the ladies at the table will agree) I was on cloud nine. I count that evening as one of the highlights of my career, and I feel so lucky to have experienced it before Les passed on.
Les, we owe it all to you. Beyond pioneering multitrack recording, you had the vision to introduce the world to overdubbing, phasing, delay effects, and more. And where would Eddie Van Halen, Slash, or Eric Johnson be without the techniques you introduced on the guitar.
There have been so many great songs, and countless listeners, that have benefitted from the sonic advances that you brought to the table. Thank you for everything…you will be missed.