Have you ever wanted to start experimenting with different chords?
The charts outlined in this blog article take a bit of a different approach when constructing guitar chords and their shapes. It simplifies finding chord voicings by outlining the root notes and what intervals each neighboring fret represents.
And not just that, but virtual “Nashville tuning” too…and 18-string guitars…with lots of audio examples!
by Craig Anderton
One of the reasons I got into Gibson’s newer guitars is because of the way they implement hex outputs (i.e., each string has its own audio output). Although Gibson isn’t the only company that makes guitars with hex outs, they’ve taken the concept seriously and keep improving on it.
This all started with the HD.6X-Pro back in 2007 (the guitar that’s been in my avatar all these years!), which used a magnetic pickup; since then, the Dark Fire, Dusk Tiger, Firebird X, and Les Paul X have all had hex outs based on piezo pickup technology. The X-series guitars are my favorites, because they’ve increased the isolation between strings by reducing crosstalk even further.
The obvious use for hex outputs is hex processing, like the kind of super-clean, almost synth-like sound you get from distorting each string individually. But using a piezo pickup means it’s also possible to obtain very convincing acoustic guitar sounds, and with hex outputs, you can apply SONAR’s offline pitch transposition to emulate acoustic 12-string guitars as well as 8-string basses, “Nashville” tunings, and even guitars that don’t exist—like a 12-string where the top two strings aren’t doubled, but also transposed up an octave. Or how about an 18-string guitar, where you add another set of six virtual strings transposed up and an octave, and another set transposed down an octave Continue reading HOW TO CREATE A VIRTUAL 12-STRING GUITAR
Entering the studio can be a stressful task if it is your first time. Here at Cakewalk we’ve outlined a few things that every guitarist should know before walking into a tracking session.
1. Change your strings every 24 hours of play time
Guitar strings can take a beating in the studio, especially if your plan is to record a whole album’s worth of material. To keep strings from become dull and bland make sure to switch them out every 24 hours of play time. If you do switch them before a session, make sure to properly break them in so that you are breaking them in while you record.
2. Improve pick attack and dexterity
Sometimes one of the reasons why guitarists have a hard time getting the sound they want in the studio is because their pick attack is not as hard as it needs to be. A lot of the time in rock and heavy metal recordings much of the sound from the guitars is what drives the song. If that sound is not a particular tone and aggressiveness then the sound of the track will not sound correct for that style. A harsh palmed muted passage played by someone who isn’t quite versed in that style sticks out like a sore thumb.
3. Practice, practice, practice to a metronome
This goes without saying. Make sure that you are practicing to a metronome and internalizing the clicking. Don’t tap your foot or make any loud gestures to count the beat to yourself. You must feel the metronome in your playing or else you will have a hard time staying quiet in a recording booth while tracking.
As a lifelong guitarist and tone hound, I’ve had the pleasure of recording and playing on some of the world’s most cherished amplifiers. My sonic heaven is a set of glowing tubes spilling into a vintage Marshall 4×12 cabinet and projected out at mind numbing volume. But at 3am when I have an idea that just can’t wait and I don’t want to be arrested for disturbing the peace, I find my salvation in Native Instruments Guitar Rig 4 LE which is included in SONAR X1 Producer.
Modern music production combines many different elements. Loops and samples, sequenced drums and synths, live instruments and more. In this video, you can sit in on a session where all of these elements are used to create a piece of music from start to finish with SONAR X1 Producer.
Pull up a chair, crank up the volume and see just how easy and fun it is to create music when the inspiration strikes using SONAR! After watching the video, download the content pack which includes the Track Templates and presets used in this project.
In part two of the series let’s take a look at another crucial element for recording guitars, the microphone.
Just as a speaker plays a large role in the sound of an amp, the microphones used to record it are just as important to getting that tone into a recording. And just like speakers, all microphones have a different sound. Huge differences in sound can be heard even in mics that sell for the same price so experimentation is key when looking for a mic (or mics) to capture your golden tone. Continue reading Recording guitars- A survival guide pt2: Microphones, your DAW’s ears
The success of SONAR X1 user Chris Standring’s groundbreaking 2010 CD Blue Bolero, which topped several year-end lists and produced a No. 1 single, made it tough for him to create a follow-up record; but all early indicators are showing that he managed quite nicely with the new Electric Wonderlandrecording which came out yesterday.
As of this morning, Chris woke up to find out that Electric Wonderland has hit #1 in its genre on the Amazon.com sales chart, as well as #1 on the BDS Radio Tracking Chart (Billboard) for the same genre. I would say that’s a setup for a pretty great day, especially considering the “sales” climate of the music industry in general. Electric Wonderland is a 10-song CD of original songs that fuses elements of the last record Blue Bolero’s orchestral touches with a deft jazz-pop touch that’s been a hallmark of Standring’s stellar career.
Getting awesome guitar tones recorded in any setting is not as hard as you might think. After recording a huge number of different guitarists including myself over the last 20 years, I have found that great results can be achieved in almost any space.