How SONAR user Bentley Ousley Executes a Crazy Idea

I love it when something comes across my desk that MAKES me want to dig deeper—find out more.  Recently I have been spending more time reading our Cakewalk forum and I am amazed at how passionate and talented our user base is.  I find myself going through posts, clicking links, poking around and being genuinely entertained and inspired.  One recent post really got my attention and after inquiring directly to the user, I found myself turning into a CSI investigator (Cakewalk-SONAR Investigator) looking for clues to make some sense out of what I had just stumbled upon…

Opening the case:

Cakewalk User: bentleyousley – [My Inside Voice]: “…sounds a little suspicious to me—sounds like a Rock Star I should know.”

Case: Once and Future Cities: A Fractal Journey – [My Inside Voice]: “…I think I remember the word ‘fractal’ from some distant math class or something.”

Location: Kansas City – [My Inside Voice]: “best BBQ I’ve ever had in that city, but a SONAR user in Kansas City with a studio that looks like a rocket fuselage? Okaaaayyy???…”

Evidence: PBS, Kansas City Star, Kansas City Planetarium – [My Inside Voice]: “…PBS? A Planetarium? A home-brew large format projector and software? Fractal equations translated into visuals? A brilliant film all edited and scored meticulously in SONAR Platinum by one person made for planetariums?  I’m IN…” Continue reading How SONAR user Bentley Ousley Executes a Crazy Idea

NAMM 2012 Backstage Pass: Scoring Music for Film in SONAR X1

Live from the Cakewalk booth in the Roland arena, learn why SONAR X1 rocks for film scoring as Shawn Clement (Quantum Quest) shares his favorite SONAR X1 tips, tricks, and features.

In the video Shawn talks about his process of writing and delivering music for film and TV and how SONAR features like Track Folders, Track Templates, and FX Chains 2.0 help his creative process.

Upgrade to SONAR X1 or find a dealer to become a new user today.

 

Stokes Audio: Mixing & Post Production for Film

Stokes Audio, Recording & Post mixed the soundtrack to BET’s latest TV-to-film release, Nite Tales (as seen on BET Halloween) with SONAR. Hosted by Flavor Flav, it’s a ‘shockingly twisted’ double feature horror flick, reminiscent of the Tales from the Crypt series. Nite Tales is now available on DVD.

Stokes Audio is currently working on remixing the soundtrack for the documentary, Why We Laugh, shows at this year’s Sundance Film Festival. Why We Laugh, directed by Robert Townsend, is a ‘sweeping account’ of the ebb and flow of black comedy in America.

Stokes Audio: The Independent Filmmakers Best Friend