For a 7th year, the Music Technology program at Northeastern University held an electronic music composition contest for high school composers. Students from across the Northeast US compete to receive a cash reward, music production software including Cakewalk’s SONAR Producer and the opportunity to perform their work at a public concert held on the university’s campus in Boston. Along with recognizing local talent, this contest gives Northeastern a great way to promote their Music Tech program, which educates students on the techniques of MIDI sequencing, sound design, audio for video, digital audio mixing and mastering, and the latest methods of delivering music over the Internet.
Congratulations to this year’s budding composers:
Class of 2012
Greenwich High School, Greenwich, CT
Composition: Rainy Day
Class of 2011
Bay Shore High School, Bay Shore, NY
Composition: Ambient Snow Fall
Head of the Music Technology program at Northeastern University, Dennis Miller and his wife, Susan, are spending spring semester in Ghana working as visiting professors for a local university. This trip marks the couple’s second trip to Ghana, having first visited the country in 2004.
The pair will spend 150 days working on the campus of Kwame Nkrumah University of Science and Technology (KNUST) in the city of Kumasi. KNUST offers various music and arts courses through the Center of Cultural Research and African Studies. These courses include Keyboard Skills, Music Theory, Drumming, Ghanian Dance, Performing Arts Traditions of West Africa, Sound Engineering, and Music Technology. Dennis is teaching two classes at the university in Digital Media Production and Digital Animation while Susan, a professor of biological sciences at the University of Massachusetts-Lowell, is working in the department of theoretical biology, supervising a lecture hall and lab.
Dennis’s Digital Media Production course introduces students to digital audio, discussing MIDI, how to do basic editing with tracks, load and change patches in soft-synths, adjust tempo and dynamics, and more. They are also learning about sequencing in SONAR 8.5 Producer. Dennis provided each student with basic step-by-step tutorials to help them learn the program. He also made each student a DVD that includes copies of SONAR, project demos, articles and assignment files.
Continue reading Northeastern University Professor Teaches SONAR in Ghana
Berkleemusic.com, the online continuing education division of Berklee College of Music, offers SONAR online courses and certificate programs for all skill levels. Master aspects of multi-track recording using MIDI, audio, loops and plug-in effects using SONAR. Enrollment is now open for the Fall term which begins September 28, 2009.
Click here to learn more about the online courses and to try a free SONAR lesson!
On June 15 2009, Cakewalk Product Manager Samara Krugman discussed music production in the classroom with Keith Mason, coordinator of Music Technology at Belmont University in Nashville, Tennessee and producer for the Music Tech For ME podcast.
In this episode, Samara explains how Music Creator 5 can benefit the music student. It’s simple interface and getting started tutorials guide users through the process of recording, editing, and mixing their first tracks. Students can add sound effects and backing tracks to their projects with hundreds of high-quality instrument sounds, loops and samples built right into the software studio. With these tools, plus Music Creator 5’s various project views and assistant features, students will learn basic music composition techniques as they work toward arranging and printing their own sheet music.
Visit Music Tech for ME online to hear the interview.
Music Tech For ME covers all aspects of incorporating music technology into the K-12 school curriculum, advising music educators across the globe on the latest advancements in creating and teaching music. Even if you’re not a music educator, you can learn a lot about the numerous technological tools and resources that are available on the market today just by listening to the show.
I guess day #2 technically starts at midnight, so I will take it from there where we were fortunate enough to land some passes to the ASCAP celebratory dinner and party at The Highlands on Hollywood Boulevard. Steve Thomas and I had a great time catching up with some CPU’s (Cakewalk Pro Users) including Vivek Maddala, Wendy Starland, Justin Lassen and Chuck Carr.
We also got a chance to hang with our friend Jake Ottmann of EMI publishing who is overseeing our installment of the new V-100 and SONAR Producer into the EMI US Headquarters in New York City.
ASCAP did an amazing job putting together a round of some pretty heavyweight songwriters who took turns banging out their hits in a very informal and interesting setting. There is something so cool about hearing hit songs performed by the actual people who wrote them and not the people who you hear perform them on the radio. It was a great night and it’s obvious that this ASCAP Expo is on its way to becoming one of the most respected music conferences in the US.
The morning came pretty quickly and just when I thought we would have a tough time matching up to the production quality of yesterday’s home studio master-class with Giovanni Lauren, in stepped Mr. Shawn Clement who scored a 30 second Land Rover spot in front of a packed house all day.
Continue reading ASCAP Expo 2009: Aspiring Producers & Industry Professionals Talk Trade
Cakewalk will sponsor Northeastern University’s 6th Annual Electronic Music Composition Contest for high school composers. Students in grades 9-12 in the six New England states plus those in New York, New Jersey, and Pennsylvania are encouraged to apply.
First and Second Place winners will receive Cakewalk’s SONAR 8 Producer plus Garritan’s Personal Orchestra Sample Library, cash awards, and a public performance of their work at Northeastern in Bosotn this spring.
Applicants must submit original works that make use of either computer-generated or computer-processed sound as a major component or consist of sounds created by electronic musical instruments – synthesizers, samplers, etc. All works must be between 3 and 10 minutes long. All works must be submitted via audio CD.
Deadline for submission is February 9, 2009.