You won’t believe what these 10 people said about Cakewalk’s Adaptive Limiter

The Adaptive Limiter is the latest addition to the included plugin lineup for SONAR Professional & Platinum. It is a professional brickwall peak limiter designed for both mixing and mastering. It features 4 different limiting “Character” types, Configurable Lookahead, Inter-sample Peak Detection, L.U.F.S. Loudness & K-Metering, as well MP3 codec preview, and real-time dithering.  It’s only been out for a few months now and we are already getting amazing feedback from customers.

Here’s what they are saying…

“The Adaptive Limiter has quite a few surprises in it, especially for such a simple, straight forward plugin. I like the nicely ordered presets, the “Match Input Loudness” feature for the bypass A/B switch, and the K / LUFS metering. And yes, the Dither / MP3 Encoding Preview is quite useful too! With the Adaptive Limiter, I can have it active on my master bus and still track new instruments, with no latency while playing.” – Lee Shapiro

“The Adaptive Limiter is possibly the best brickwall limiter in the business, big call I know, but after using various limiters over the course of 18 years…I was blown away when I got this.” – Benjamin Phillips

“The Adaptive Limiter is a fantastic tool, Great job Cakewalk! I tried it on several songs and tracks and was surprised by how good the Adapted Limiter works. Big thumb up!” – Holger Bremer

“I like the Adaptive Limiter a lot. It works good on both the master as well as buses and even tracks!” – Ken-Arve Nilsen

“The Adaptive Limiter is really great! I use it as the last limiter in my chain on the master bus… I think it may be one of the best brickwall limiter plugins I’ve heard, The LUFS metering is a really nice addition along with the input volume matching to hear the limiting before and after. It all really helps me create a great master!” – Hubert Torzewski

“I have found that Adaptive is extremely transparent!! It’s almost like it’s not even there…” – Sidney Goodroe

“Easily the best limiter interface I’ve seen yet. It also doesn’t hit the system too hard and as something included with a SONAR, well it is absolutely first rate.” – Jesse Stengel

“The Adaptive Limiter is soooo AWESOMELY INCREDIBLE. I love it! I love Sonar! It’s the best DAW on the planet!!” – Lana Slaughter

“I’m very happy with the Adaptive Limiter. Thank You Cakewalk! It certainly holds it’s own compared to the other 3rd party limiters I have.” – Kenny Wilson

“I am loving the Adaptive Limiter. I used it on a rock instrumental that I just finished recording and it sounds great and I prefer it now over Ozone. Great to have all these awesome stock plug in’s. I just recently moved to Sonar and find my mixes are sounding more pro. I am not having to use my purchased plug ins much as SONAR just delivers!” – Mark Stow

If you don’t already know the Adaptive Limiter, we made this video to help get you aquatinted. It is available by downloading the latest version of the Engineering Suite included with SONAR Professional & Platinum.

Enjoy!

Is the car test still relevant?

“My first mix sounds awesome in my car!”

Said no producer ever…

Every producer and mixer knows the struggle; the infamous car test. You know the drill. You print a near-perfect mix in your home studio and then bounce it with the label, “FINAL MIX_wav”  and send it to your phone. You can feel the excitement, energy and anticipation of releasing your masterpiece into the world…and then you step into your car.

The nervous sweat drips down your back and your ears are clogged from hours of non-stop mixing. You press play and immediately regret not going to law school. OK…maybe it’s not that bad but straight from the bat you know your mix isn’t translating well in your car stereo or even the cheap earbuds that came with your phone. You are not alone.

Why does my mix sounds so terrible in my car? Continue reading Is the car test still relevant?

CakeTV Live Ep 4 – Mixing Drums in SONAR Part 1

by Dan Gonzalez

In this episode, we’re diving into drum mixing, and doing little things at the beginning of the mix that will have a HUGE impact right away.

If you’re interested in more drum production, check out our FREE eBook about editing multitrack drums.

SONAR Facility, The Sound Foundation in Dallas gets global recognition with Ford Motors

Something inspiring is happening in the Dallas music scene, and Cakewalk is excited to be a part of it with SONAR Platinum. When Norman Matthew gets off the road from touring with his band Murder FM, or finishes up a major video or full length record, it’s not time to chill out.  In fact for him, that’s the time when he buckles down and digs into his “little side-thing” which is a major music operation called The Sound Foundation (TSF) in Dallas, TX.  Dallas has always been known to be a great music town, but Norman’s TSF has a great angle to its existence that resonates to the very core of his soul.  In fact just recently, TSF caught the eye of the Ford Motor Company who took notice of Norman and his operation and were so impressed, they featured the establishment on their “Good Works” series.

If you’re reading this article, I’m sure you are aware that the Major Label system has pretty much all but collapsed.  Look anywhere on the internet and you will find all the articles you can handle about how evil all the labels were, how they had this coming to them and how the lavish lifestyles of the greedy executives fostered this meltdown.  But what you may not know is that “back in the day,” a good piece of that excess cash folks paid down on an $18 CD that cost $1.76 to make went right back into a pool of starving artists (not directly of course).  It was called “Artist Development” and it helped pay and pave the way for many iconic artists who started out with the ole “Label Demo Deal.”

Continue reading SONAR Facility, The Sound Foundation in Dallas gets global recognition with Ford Motors

HOW The Duke Western USES SONAR TO CREATE MUSIC FOR DUCK DYNASTY (AND MORE)

Here at Cakewalk we are fortunate to have an external team of rocket scientists who help test out SONAR beta releases.  This team is dedicated, passionate and most of all appreciated by all of us internally here at the Cake shop.  Recently I received a general email from one of my esteemed colleagues mentioning that one of our trustworthy beta soldiers was jumping off the beta-battlefield in lieu of another SONAR related activity.  Huh?  This peaked my curiosity and I felt obliged to dig a bit deeper on the subject.  What could “another SONAR related activity” involve?  SONAR Olympics? SONAR CPU Racing? SONAR Academy?

Featured Music Placements on Discovery Channel, History Channel, CBS, Bravo Network

Continue reading HOW The Duke Western USES SONAR TO CREATE MUSIC FOR DUCK DYNASTY (AND MORE)

CakeTV Live Episode 5: TH3 Cakewalk Edition

In this week’s edition of CakeTV Live, Joey and Dan tackle the brand new TH3 Cakewalk Edition. Check out all 6 parts here.

 

How iLan Bluestone used SONAR Platinum on his new track “Bigger Than Love” (#1 on Beatport)

Just a few short years ago, we learned of a new up-and-coming artist who was using SONAR.  After introducing ourselves and learning more, the one thing that kept resonating were the infectious melodies and counterparts embedded into his tracks.  We were delighted to witness him working in SONAR, but at the same time very intrigued that he was using SONAR 8.5.

Soon after being in touch with iLan, we were able to catch up with him face to face in his studio just north of London for a night where we introduced SONAR X3 to him.  It was a fun night and very interesting to watch a pro’s reactions going from 8.5 to X3 considering that undoubtedly the platforms are truly different.  There were some moments of, “Whooaaah… that will save me a ton of time,” and there were moments of, “Ummm…that will take a while to get used to.”  Leaving iLan to his own devices we were really unsure where he would take it.

 

 

Toggling back and forth from 8.5 to X3 for a while, iLan finally found his stride with SONAR Platinum.  He told us, “After working on both 8.5 and X3, once I was on Platinum there was no going back.  The basic features alone like the smart tool and Mix Recall not only save me a lot of time, but allow me to create things I could not create in 8.5. With the amount of tracks I create and pace of my workflow, the fact that Platinum is rock solid and really fast means everything to me.  8.5 always allowed me to ‘not’ sound like everyone else in my genre, and Platinum just continues that path for me.”  iLan’s first full production in SONAR Platinum titled “Bigger Than Love,” a collaboration with singer/songwriter/artist Giuseppe de Luca was recently released on Anjunabeats and quickly found its way up the charts to the #1 spot on Beatport.

Continue reading How iLan Bluestone used SONAR Platinum on his new track “Bigger Than Love” (#1 on Beatport)

HOW ILAN BLUESTONE APPROACHES HIS CHARTING EDM TRACKS

SONAR Platinum artist iLan Bluestone’s career trajectory is moving fast.  The jet-setting EDM producer is touring the world, but was kind enough to share not only his time with us discussing his music production techniques, but also his new single collaboration with mogul-producer BT titled “All These Wounds.”  We caught up with iLan in Chicago at the Spring Awakening Festival, and then again down the road at Sweetwater’s Gearfest:

Month-end Artist RECAP: JUNE – BILLBOARD CHARTS, PAN AM GAMES, HEAT!

Summer officially kicked off in June with plenty of BBQ’s, beaches and Pro SONAR users doing some extraordinary things.  June also offered the SONAR Platinum Everett update which introduced the world’s most technologically advanced drum replacement feature.  Here are some highlights from last month on a few of the many hard working professionals using SONAR.

Murray Daigle – Toronto, Canada [Official Theme Song for Pan (and ParaPan) Am Games]

SONAR Platinum user Murray Daigle is the one of the most-awarded producers in the Society of Composers, Authors and Music Publishers of Canada (SOCAN). Based in Toronto, he is also known for his songwriting and mixing skills with major label and independent artists for over 20 years.  In June, Daigle added yet another major accomplishment to his profile when his writing efforts and song-pitch for the 2015 Pan/Parapan Am Games were selected as the official theme song for the event.  The song was written at a “writing camp [workshop]” sponsored by the Songwriters Association of Canada, and then recorded and produced by Daigle with one of Canada’s most established pop artists Serena Ryder. The song, “Together We Are One,” was chosen out of 70 submissions created from the workshop. Seventeen artists perform on the song, including Mykey Thomas (Smashing SatellitesNeverest), Spyro Chalkiotis (lead singer of Neverest) and the Morningstar River drummers to name a few.  The song is currently picking up momentum as Universal has been promoting it to major radio stations, and a video for the song was also cut.  Additionally, the song is being played before every single game as well at the celebratory nightly fireworks ceremonies. Continue reading Month-end Artist RECAP: JUNE – BILLBOARD CHARTS, PAN AM GAMES, HEAT!

How SONAR user Bobbi Tammaro won a SESAC award over many Major Label Artists

Respect and credibility

A few weeks ago SESAC announced their 2013 Jazz Award recipients, and SONAR X3 user Bobbi “Funkeeboy” Tommaro was one of the well-deserved artists on the list.  I have been fortunate to get to know Bobbi in the last few years on and off the SONAR playing-field, and the first word that comes to mind is “respect.”  These days considering the state of the music industry, the word respect has more meaning than ever and Bobbi has earned it from his music peers along with just about everyone else that hears his story.  Besides respect, he has earned much credibility in the Smooth Jazz world from being a repeat-offender on the Billboard charts as an independent artist.

Bobbi who is also PKA “Funkee Boy” has amassed an impressive amount of credits throughout his music career. At the young age of 15 he was already making a name for himself winning the Connecticut State Organ Championship and also opening for national acts such as Spyro Gyra.  As he progressed he scored numerous chart hits across multiple music genres, as well as, several top Billboard chart hits/Top 5 Smooth Jazz hits, and licensing deals on television networks such as ABC, FOX, NBC, CBS, SHOWTIME, VH1, etc.

Before making his own records his music has [and continues to in terms of residuals] appear on some of the most popular and well respected shows ever such as Beverly Hills 90210, General Hospital, All My Children, Sunset Beach, Ripley’s Believe It Or Not, Love Boat, One Life To Live, Young & The Restless, They Call Me Sirr, Soul Food.  Stepping out from behind the scenes as a songwriter/producer & into the forefront as a Smooth Jazz Artist, Bobbi’s track record progressed and continued to impress.

Most recently, starting off 2014 by releasing his 3rd CD “Soul Purpose”, the smooth jazz keyboardist/producer combined his talents with assembling a stellar line up of A-List recording artists. The newest award-winning record “Soul Purpose” features guest appearances from Warren Hill, Najee, Bob Baldwin, Cindy Bradley, Nick Colionne, LEILA, Surface, Lamone, Timmy Maia, Tevin Michael and more!!!

Chalk one up for the hard working jugglers. 

A few key elements set Bobbi apart from the pack that keeps him successful.  The obvious one is the raw talent of songwriting and performing his instrument, but if you go a few levels deeper, you will find a multi-instrumentalist, producer, mixing and mastering engineer.  Peeling back a few more layers exposes an organized machine who literally “does not need a label” to hit the Billboard Top 5 Smooth Jazz Chart.  In fact Bobbi has had many labels approach him and has respectfully declined any offers to do business.  Why?… because he has cracked the code and found a formula that works for himself as an independent artist competing in the major leagues.

It’s not easy

Hitting the Top 5 on any Billboard Chart is not an easy thing to do.  Besides the songs and production alone (which he does ALL in SONAR INCLUDING Mastering), Bobbi also has to oversee the efforts for Radio Promotion, Publicity, Social Media, Sales and Marketing.  If you ask me, this is a very rare skill-set to have as an artist considering just the time it takes alone to write and record a [great] full length record.  Bobbi does have help from his wife Leila who is also a very credible artist, and the two of them seem to have a great formula for getting the music out to the masses as if they were a Major Label.

Cakewalk:          It’s pretty amazing that you do so much to get your music out, can you describe the short-form version of a typical record release?

Bobbi Tammaro:            Sure, it’s hard to keep it short form because so much goes into it… So here goes Continue reading How SONAR user Bobbi Tammaro won a SESAC award over many Major Label Artists