What’s the reasoning?
Why should you get sounds with the Overhead microphones first? Well, think about the perspective of a drum set at shows, in practice spaces, at clinics, and in store demos. A drum set is perceived at a distance, so why shouldn’t that be the first thing you check when you are finding the sound of your drum set? You don’t place a microphone on every single individual person in a choir, but rather you find the right balance with suspended microphones at great distances. Afterwards you place spot microphones to enhance one section or another, but it’s the overall sound that you are attempting to capture. The same logic should apply to a drum set when finding the right tone of your drum set. Continue reading The Case For Getting Your Drum Sounds With Overheads First
To kick off Drum Month at Cakewalk we’ve decided to include some tips about the types of pre-production topics that can come up before you enter the studio with a drummer. These tips can apply to drummers, guitarists, producers, and engineers alike.
1. Can the drummer play to a click?
This is something to consider when a band or group approaches you for a recording. Depending on the budget, you will either spend a lot of time in the studio, or a lot of time editing drums. Spending time in the studio is much easier than spending hours and hours behind an editor. Don’t be afraid to sit in on rehearsals and even record them to get an understanding of timing and how proficient the drummer is. Here are some solutions for drummers who have a hard time playing to just a click:
- Have someone else in the group play along with the drummer
- Use song demos as guide tracks
- Record in shorter sections, instead of longer sections
- Try different percussion as click tones. (Cowbell, woodblock)
The reality is that if a group wants to record themselves, then they need to have their songs ready for the studio. This brings us to number two.
Continue reading 7 Pre-Production Tips for Drum Recording