Thanks to Melodyne’s advanced tempo detection and SONAR’s powerful ARA drag-and-drop integration, your projects can now follow a live recording’s tempo. Simply drag a standard audio clip (or Melodyne region effect) to SONAR’s timeline, and SONAR creates a tempo map that follows the clip tempo. Watch the new video for more information.
You could call Javier Colon timeless. After winning the inaugural season of NBC’s The Voice, he has battled even harder than he did during the show’s “Battle Round.” Last year his perseverance and life-long dedication to creating music on his own terms brought him to yet another chapter in his career with a new recording contract with Concord Music Group. Concord Music Group is home to many enduring artists such as Ray Charles, James Taylor and The Kenny Wayne Shepherd Band to name a few, but it’s also one of the most respected and ageless labels of our time.
When the ink was dry, Javier who is a longtime SONAR user dug deeper than he ever had before, and started writing songs for the new record. “A lot of the songs on this new record started right in my home studio on SONAR Platinum,” Javier recently told us in conversation. “The thing I like about SONAR for writing is that it’s really quick for getting ideas down. It’s like a creative partner. Of course it’s great for mixing and creating masters too, but for me since I was fortunate enough on this record to be working with top-notch mixing engineers, the single most important thing was getting the songs right. The features in Platinum are great for songwriting. Even just the loops in Addictive Drums 2 are a great starting place to generate ideas—there’s just no shortage of inspiration in the program.”
Javier’s new record titled “Gravity” comes out April 15, and he recently shot a new video in LA (also including scenes from Europe) directed by Gregory Poppen. The record itself is actually 15 songs, a bit of a different approach from pop music’s recent pattern of releasing fewer tracks per album. On this record Javier really wanted to get more music out there for his fans who have stayed with him all this time throughout every phase of his career.
“Is it World Music?” “Is it Spanish Music?” “Is this Jazz?” “Is this in the Acoustic Genre?” Fortunately for guitar virtuoso and now-Pro D.I.Y’er Eric Hansen, the simple answer to these questions he faces regularly about his music is, “YES.” Eric is another longtime SONAR user who depends on SONAR daily for his livelihood. He is based out of Southern Florida which might just be where his Spanish and Latin influences come from, where at a young age he had a unique fondness for Flamenco infused Pop music.
Eric began studying the guitar at age 14 and was performing professionally with local rock groups by the age 16. He then attended Florida Atlantic University where he studied Classical and Jazz guitar and was the first actual guitarist to complete the Honors Performance Program at F.A.U. He went on to graduate with academic honors while simultaneously studying Flamenco and Latin American music with musicians from Spain and Peru.
In his professional career, Eric is no stranger to the Billboard Charts with 6 records under his belt all crafted in different versions of SONAR spanning over 15 years. Eric is in the final stages of another record, but this one is being tracked, mixed and recorded all in SONAR Platinum. After Eric getting Cakewalk an exclusive preview to 3 of the new songs on the record, we were interested in finding out more about how all these great tracks are coming together in Platinum [DEMO PREVIEW]:
By Jimmy Landry
Last summer, Peppina—a young female artist from Finland— plunged herself into the NYC music scene for two months. With the help of renowned NYC entertainment attorney Steven Beer who discovered her, she managed to head back to Finland with a major-label sounding EP. The project was recorded in different ways, in different locations all over the city—and with budgets being slashed, these days it’s pretty much hand-to-hand combat when making a low budget recording where anything goes. But the upshot is yes, you can record a commercial-sounding record on a budget—so here are some of the techniques we employed to accomplish that goal. SONAR Platinum was instrumental in saving time on this EP. Between the Drum Replacer, VocalSync, onboard Melodyne, Speed Comping and general speed enhancements, I got to the finish line a lot faster than previous records. I highly recommend anyone who’s on SONAR XX to take a close look at what the program has brought to the table in the last year.
This all started when Steven Beer called about an artist he’d heard sing at a film festival, and invited me for a meeting at his office. Interestingly, there were two other producer/writers there as well—a bit unorthodox, but pretty much anything goes these days, so nothing really surprises me anymore. We discussed the artist’s interests, influences, and other variables, and then listened to some of my reel as well as music from the other producers. It turned out the lawyer’s master plan was to bring the three of us together to co-write, record, and mix a five-song EP before she went back to Finland in 45 days.
Peppina already had some momentum in Finland from a loop she wrote and uploaded to a site called HITRECORD (owned by actor and director Joseph Gordon-Levitt). Her upload was so popular that Gordon-Levitt flew her to California to perform the piece at the Orpheum in LA during one of the show’s TV episodes. This all sounded good to me, so I signed on to a production team that would share in the production duties and heavy lifting. As to budgets…well, there was enough there for us to take it on as a challenge.
DELIVERING MUSIC FOR THE FILM “FOR BLOOD” (COFFEERING ENTERTAINMENT LOS ANGELES, CA)
Sometimes I am fortunate enough to have the time to take on a project outside of Cakewalk, and I love that those projects let me put our current SONAR Platinum “Rolling Update” to the test in the field. Recently, the LA-based production company Coffee Ring Entertainment asked me to write, produce and deliver three tracks for their new movie, For Blood. This article describes highlights of the process involved in writing and producing one of those tracks for a specific scene in the film.
My first question to the director was, “Do you already have placeholder music in the rough cut?” When producers and directors have placeholder music they like already set into the cut, it speeds up and simplifies writing and producing the music. Fortunately the answer was “yes,” so all I needed to do was replicate what they liked about their placeholder tracks using the array of instruments and plug-ins in my home project studio rig.
A primary objective in writing music for film is to forget about yourself and your own emotional agenda. And oddly enough, for me at least, this notion really speeds up the workflow because you are writing/producing for someone else’s purpose other than your own thoughts. Adamantly keeping this in mind throughout the writing/producing process helps to stay focused on what the client wants. For this song, it’s exactly what I had to do because the producers had a Tarantino-ish type track set into the scene, and my innate production style tends to lean more towards big, clean commercial pop rock. Luckily, I could go to YouTube and analyze suitable styles of music but even luckier for me, SONAR’s Addictive Drums and TH2 plug-ins were ideal for dialing in the kind of music that was needed. Continue reading Anatomy of a SONAR Project: Replacing the Placeholder
By Craig Anderton
Looking for some advanced, interesting, or downright weird ways to use the new Patch Points feature? Here you go:
Suppose you want to split one track to several outputs, for example to do multiband processing. Here’s how:
The Dry track output goes to Patch Point 1 instead of the master bus. Five tracks, each of which filters a different band of frequencies, have their inputs set to Patch Point 1. The Dry track now feeds all five channels simultaneously. Placing all these tracks inside a track folder makes it easy to fold them up when you want a tidier setup.
Continue reading Five Reasons Why Patch Points Rock
This month, Equipboard will be giving away a copy of SONAR Professional to 4 lucky winners.
Equipboard is a community of musicians and music fans, building the world’s largest database of artists and the gear they use. For a chance to win, just submit music gear for any artist on Equipboard between October 1 and October 14. Each submission will count as its own entry, so you can improve your chances with ease! The first 2 winners will be selected on Thursday, October 8, then the next 2 winners a week later on Thursday, October 15.
If you win, you’ll not only receive SONAR Professional – unlimited and highly powerful recording and mixing software – you’ll get all the bells and whistles too! That means a fully unlocked copy of Melodyne Essential, Addictive Drums 2 Solo, the Nomad Factory BlueTubes plugin bundle, and more! For a comprehensive list of everything included in SONAR Professional, click here.
With the advent of digital audio, some feel a certain quality associated with the analog signal path has been lost. While that may have been true at one point, analog emulations have come a long way since first introduced. Let’s find out how to add that “analog sound” using some of SONAR’s plugins. (Note: Many of the following examples use features are exclusive to SONAR Platinum, so if you don’t already have this version, you can try a free demo by clicking here.)
#5 – ProChannel Tape Emulation
Tape does some pretty magical things to audio, so SONAR Platinum includes tape emulation as a ProChannel module. Best of all, you can use it as much as you like without having to clean the heads!
Here’s how tape emulation enhances the sound:
- Emulates the “head bump” of analog tape to enrich the low end, adding subtle warmth
- Smooths response by slightly rolling off lowest lows and highest highs
- Increases sustain by smoothing peaks
- Saturates the signal in a non-linear, analog manner
- Optionally introduces high-frequency hiss
For a basic application, insert the Tape Emulator in the Master Bus ProChannel. You’ll immediately hear a more cohesive mix. Increasing the REC LEVEL increases the overall saturation. The REC LEVEL knob, TAPE SPD switch, and BIAS switch all interact in unique ways, so try out different combinations to hear how they affect each other.
After hearing how the Tape Emulator affects your sound, try applying it to individual tracks (your drums will sound particularly fabulous). This will be a more subtle effect, adding a sense of depth to the overall mix.
Congratulations to SONAR user Norman Matthew and his band Murder FM for their first major-affiliated record released just last week. Entitled Happily Neverafter, the 12 song full-length album was tracked mostly in SONAR over a period of time. As many commercial records these days, this recording project started out as a demo and then as fate would have it, ended up in the hands of a label and a real-deal mixer (Famous/Sony Red and Beau Hill).
Murder FM have been on the fence about signing with different labels over the years since they debuted a video on http://www.revolvermag.com that shot out of nowhere. In 2013, the track/video “We the Evil” took over the top spots surpassing major label artists next to Rob Zombie, and projected the band into the public eye as well as the industry eye. The video alone had 150k views within a short time of it being released and is now up to 320k globally.
Finally, and recently, the band found the right label partner with Famous Records Global (Sony/Red) and the final touches were made which includes a death-defying remix of the focus-single-track by Tommy Lee of Motley Crue. Interestingly enough, many of the tracks mixed by Beau Hill on the record were created by Norman in his SONAR studio stemming from demos he created over the years.
“SONAR allowed me to capture a lot of great moments where there was really no need to go back to the drawing board.”
Already sharing stages with bands such as Black Veil Brides, Orgy, Halestorm, Powerman 5000, Young Guns, Korn, The Used, The Birthday Massacre, Sick Puppies, Trapt, Rob Zombie, Deftones, Avatar, Five Finger Death Punch, and The Pretty Reckless to name just a few, they embark on touring in support of the new record for the rest of 2015. As MFM supports their first official global release distributed by Sony/Red, the future is wide open and arena rock will live and breathe again in the fiery form of Murder FM!
For more information on Murder FM visit http://www.murderfmmusic.com
The all new SONAR comes in 3 different versions and can truly help you to create your own artist story. Click here to try SONAR for free
Last week’s interview on 97.1 The Eagle/Dallas
We the Evil Official Video