As a lifelong guitarist and tone hound, I’ve had the pleasure of recording and playing on some of the world’s most cherished amplifiers. My sonic heaven is a set of glowing tubes spilling into a vintage Marshall 4×12 cabinet and projected out at mind numbing volume. But at 3am when I have an idea that just can’t wait and I don’t want to be arrested for disturbing the peace, I find my salvation in Native Instruments Guitar Rig 4 LE which is included in SONAR X1 Producer.
Modern music production combines many different elements. Loops and samples, sequenced drums and synths, live instruments and more. In this video, you can sit in on a session where all of these elements are used to create a piece of music from start to finish with SONAR X1 Producer.
Pull up a chair, crank up the volume and see just how easy and fun it is to create music when the inspiration strikes using SONAR! After watching the video, download the content pack which includes the Track Templates and presets used in this project.
You’ve got the song, the killer drum performance and everything is ready to mix but there’s one problem. Your kick drum sounds awful and there’s no option to re record the drum tracks. Don’t panic! Using SONAR’sAudioSnap 2.0 and the drum plugin of your choice, you can turn that dud into major thud!
Ever wondered how to use sidechaining in SONAR X1? Look no further as this step by step, how to video shows you how to achieve professional results with sidechaining using the ProChannel in SONAR X1 Producer.
Examples include sidechaining a midi track to control a gate on an audio track, broadcaster style vocal “ducking”, or sidechaining the voice track to control the volume of the background music track, and more!
Learn more about the world of SONAR X1 and watch more tips and tricks videos in full HD on CakeTV
So you’ve purchased and installed SONAR X1 and now you’re ready to get in and start making music? Let us make it easy for you with free step by step videos that cover every step of the setup process for all versions of SONAR X1. Available any time you need it, the Get Started series on CakeTV is your on demand resource for the information you need presented in full HD. Watch as we show you everything from setting up your audio interface to recording a track, applying effects and everything in between!
A 3 Part Resource for D.I.Y. Acoustic Sound Treatment and Room Development
As a conclusion to my series on Building Cost Effective Acoustic Treatment, I wanted to put a link to all three articles in one place along with a “before and after” video. I also wanted to put this up on our forum in one place in case anyone has any questions about what I did with my studio. If you are planning on trying to save some money by building your own acoustic treatment panels these three articles are worth reviewing.
The effort to build all this acoustic treatment was not minimal, but well worth it. Besides saving a lot of money I was able to customize the panels so that they fit the room well. Using the QuadCurve EQ which comes with SONAR X3Producer is where I can really tell the difference in my environment. The QuadCurve EQ is very advanced and allows the user to surgically tailor frequencies. Now that I have my room treated properly, I can really hear the difference between the EQ modes.
So the first step is to get going with a version of the SONAR X3 family, and then do your homework and figure out the best listening environment FOR YOU.
So maybe you have SONAR X1 Production Suite running on a killer computer, and now you might have a sound cloud over your mix position; what’s next? Last week I exemplified how I built and installed a hanging sound cloud and this week I will go into detail how I built corner traps to help tame my unorthodox (square) production room. Before reading this post, you may want to visit my article from last week which goes into some detail on room shapes.
My room, unfortunately for me is dead square. This is about the worst case scenario so I had to do some research and talk to a lot of friends who are acoustic professionals such as Gavin Haverstick of Haverstick designs. With my room being about 13.5’ x 13.5’ and 7.5’ ceilings, he has my mix position at 62” off the front wall. So with my positioning about right, and a sound cloud overhead to take out the first ceiling reflections, the next thing to do was try to knock out the corners of the room where bass frequencies could become a big problem.
I decided to make custom corner traps based on my personal situation. Once again, every room and everyone’s needs are different, so if you are on a tight budget, I think it’s best to first figure out what’s important to YOU. For my situation, here were my goals for corner traps: