You won’t believe what these 10 people said about Cakewalk’s Adaptive Limiter

The Adaptive Limiter is the latest addition to the included plugin lineup for SONAR Professional & Platinum. It is a professional brickwall peak limiter designed for both mixing and mastering. It features 4 different limiting “Character” types, Configurable Lookahead, Inter-sample Peak Detection, L.U.F.S. Loudness & K-Metering, as well MP3 codec preview, and real-time dithering.  It’s only been out for a few months now and we are already getting amazing feedback from customers.

Here’s what they are saying…

“The Adaptive Limiter has quite a few surprises in it, especially for such a simple, straight forward plugin. I like the nicely ordered presets, the “Match Input Loudness” feature for the bypass A/B switch, and the K / LUFS metering. And yes, the Dither / MP3 Encoding Preview is quite useful too! With the Adaptive Limiter, I can have it active on my master bus and still track new instruments, with no latency while playing.” – Lee Shapiro

“The Adaptive Limiter is possibly the best brickwall limiter in the business, big call I know, but after using various limiters over the course of 18 years…I was blown away when I got this.” – Benjamin Phillips

“The Adaptive Limiter is a fantastic tool, Great job Cakewalk! I tried it on several songs and tracks and was surprised by how good the Adapted Limiter works. Big thumb up!” – Holger Bremer

“I like the Adaptive Limiter a lot. It works good on both the master as well as buses and even tracks!” – Ken-Arve Nilsen

“The Adaptive Limiter is really great! I use it as the last limiter in my chain on the master bus… I think it may be one of the best brickwall limiter plugins I’ve heard, The LUFS metering is a really nice addition along with the input volume matching to hear the limiting before and after. It all really helps me create a great master!” – Hubert Torzewski

“I have found that Adaptive is extremely transparent!! It’s almost like it’s not even there…” – Sidney Goodroe

“Easily the best limiter interface I’ve seen yet. It also doesn’t hit the system too hard and as something included with a SONAR, well it is absolutely first rate.” – Jesse Stengel

“The Adaptive Limiter is soooo AWESOMELY INCREDIBLE. I love it! I love Sonar! It’s the best DAW on the planet!!” – Lana Slaughter

“I’m very happy with the Adaptive Limiter. Thank You Cakewalk! It certainly holds it’s own compared to the other 3rd party limiters I have.” – Kenny Wilson

“I am loving the Adaptive Limiter. I used it on a rock instrumental that I just finished recording and it sounds great and I prefer it now over Ozone. Great to have all these awesome stock plug in’s. I just recently moved to Sonar and find my mixes are sounding more pro. I am not having to use my purchased plug ins much as SONAR just delivers!” – Mark Stow

If you don’t already know the Adaptive Limiter, we made this video to help get you aquatinted. It is available by downloading the latest version of the Engineering Suite included with SONAR Professional & Platinum.

Enjoy!

All of the Cakewalk Deals in one place

At Cakewalk we’re constantly putting together special offers and promotions for our customers–who doesn’t love a deal? To make it even easier to learn about these offers, we created a one-stop spot where everyone can go to learn about these specials.

We’re listing all of our current promos here, no secrets, no hidden tricks–here’s the link:

http://cwk.io/specials
Continue reading All of the Cakewalk Deals in one place

Pro SONAR User Murray Daigle Holds Mixing Clinics at LONG & MCQUADE – ONTARIO

Producer/Songwriter/Mixer Murray Daigle out of Toronto concludes a successful short run of Mixing clinics this evening at Long & McQuade stores in Canada. Murray Daigle is a Toronto based Music Producer, Songwriter and Mixer with a long illustrious career in the Canadian and international music industry. His songs and productions have earned him Certified Gold and multiple Socan #1 Awards. He has extensive experience in developing and launching many successful music careers, including his consulting work with the Vic Park Group, developing Canada’s pop sensation Neverest.

His most recent success includes Producing, Mixing and Co-writing “Together We Are One”, The official theme song of the 2015 Pan Am Games (Performed by Serena Ryder). His list of hit records spans two decades, beginning with hit making bands like Not By Choice and US Billboard charting acts like Cauterize, selling numbers well into six figures. Murray has worked for all the major labels and numerous indie labels around the world, producing, engineering, mixing and mastering hundreds of tracks, all from his home base MDS Recording.

"The new SONAR is like a music partner for me.  I rely on it daily for so many different things relating to what I do to deliver radio-ready tracks. There are so many different ways to approach music with SONAR, and the inspiration it generates is creative and effortless." 

Continue reading Pro SONAR User Murray Daigle Holds Mixing Clinics at LONG & MCQUADE – ONTARIO

CakeTV Live Ep 4 – Mixing Drums in SONAR Part 1

by Dan Gonzalez

In this episode, we’re diving into drum mixing, and doing little things at the beginning of the mix that will have a HUGE impact right away.

If you’re interested in more drum production, check out our FREE eBook about editing multitrack drums.

A New Era For Cakewalk (an open letter from CTO Noel Borthwick)

Why we introduced Lifetime Updates

With the introduction of Lifetime Updates for SONAR Platinum, there have been many theories as to why Cakewalk would take such a bold move. For us it’s simple—it’s better for customers, it’s better for us, and we believe this way of doing business is the future, so we’re embracing it today.

Some history: In the past (pre 2015), we followed a more traditional annual upgrade cycle where we released a single version of SONAR each year. This model was flawed on many levels, both for developers and end users. As developers, we’re under extreme pressure to finish a product by a certain date to meet a revenue goal – often regardless of whether it’s ready or not.

SONAR-Platinum-Lifetime-Updates

Adding a lot of features to a product in a short cycle can create problems even skilled QA teams and beta testers won’t find. Furthermore, end users have to try and learn a huge amount of information at once—which is much less efficient than learning features at one’s own pace over time.

Rolling Updates: So we did away with annual versions of SONAR and decided to work on one version —continuously. We can make smaller incremental changes at a faster pace without disrupting the end user’s stability and workflow, as well as react more quickly to user requests. No more waiting until the next version to get problems resolved as is the case with many other products. We call this model “Rolling Updates” and as a developer and CTO of Cakewalk, I love it!

Rolling Updates also provides benefits beyond making new features available as soon as they’re ready. If something needs fixing or improving, we can just fix it and ship it without your having to wait a whole year. For example the Mix Recall, Patch Points, and Upsampling features all benefited from this interaction with end users. And doing features incrementally, in shorter time periods, promotes better stability and performance.

Although it’s never easy to do something disruptive in an industry that’s resistant to change (remember the outcry when Netflix decided to focus on streaming instead of DVDs?), the response has been decisive and positive. We didn’t want to end up like the record companies who refused to acknowledge the emergence of MP3s and digital media as a distribution model, and became almost irrelevant in the process.

Doing Rolling Updates for the past year-and-a-half has convinced us this approach is far superior to the huge yearly update—so much so, that for a limited time, we’ve made the bold decision to offer Lifetime Updates for SONAR Platinum, giving you all future SONAR updates for free.

Lifetime Updates shake up the mix even more, and offer a better way of doing business that benefits everyone. One great side effect is you get to help us improve SONAR during this process with your feedback and suggestions, creating a partnership with a common goal: You want to use the finest software in the world, and we want to create it.  That’s why we are doubling down by offering the opportunity to join us on this journey.

With SONAR Analytics now at our disposal, and a responsive feedback portal on its way, we’ll be monitoring your comments, feedback, and requests closely so we can respond quickly and ensure that your experience with SONAR is…awesome. At Cakewalk, we believe that there’s no better way to succeed than by having happy customers. It really is that simple.

SONAR OS X Alpha for Mac

OS X Compatibility Coming

What’s more, SONAR will soon be available to a brand new audience of music creators with our SONAR OS X Alpha, coming this Fall.

With Windows and Mac split almost evenly among musicians, it made no sense to ignore half the market—or ignore the numerous requests over the years from music creators who’ve wanted to experience SONAR’s superior workflow, audio quality, and tools on the Mac.

For PC users who wonder if we will keep up the same pace of Windows development, the answer is an emphatic “yes”—we will never give up our lineage as a Windows-based DAW.

Since our announcement, I’ve received many e-mail’s from industry peers showing genuine excitement about SONAR on the Mac. In fact, having more people using SONAR will benefit Cakewalk long-term and improve the product as a whole. However we are still in the early stages of the Mac development project, so please be patient 🙂

All of this may seem too good to be true, and some people wonder if there’s a catch. But we’ve put a lot of thought into how we can make changes that benefit everyone. Cakewalk has experienced a major rejuvenation, and we want nothing more than to continue what has brought us to this point. We love the new Rolling Updates model, and even many users who resisted the idea at first have become converts after experiencing the many benefits.

Welcome to a better way to produce and experience music software, and thank you for joining us on this journey of innovation and excitement. We couldn’t have gotten to where we are without you.

Thank you for reading.

Sincerely,

Noel Borthwick
CTO, Cakewalk

[Noel Borthwick started at Cakewalk 18 years ago and has actively contributed to SONAR development since its inception. He is also a jazz guitar player and a SONAR user.]

SONAR Facility, The Sound Foundation in Dallas gets global recognition with Ford Motors

Something inspiring is happening in the Dallas music scene, and Cakewalk is excited to be a part of it with SONAR Platinum. When Norman Matthew gets off the road from touring with his band Murder FM, or finishes up a major video or full length record, it’s not time to chill out.  In fact for him, that’s the time when he buckles down and digs into his “little side-thing” which is a major music operation called The Sound Foundation (TSF) in Dallas, TX.  Dallas has always been known to be a great music town, but Norman’s TSF has a great angle to its existence that resonates to the very core of his soul.  In fact just recently, TSF caught the eye of the Ford Motor Company who took notice of Norman and his operation and were so impressed, they featured the establishment on their “Good Works” series.

If you’re reading this article, I’m sure you are aware that the Major Label system has pretty much all but collapsed.  Look anywhere on the internet and you will find all the articles you can handle about how evil all the labels were, how they had this coming to them and how the lavish lifestyles of the greedy executives fostered this meltdown.  But what you may not know is that “back in the day,” a good piece of that excess cash folks paid down on an $18 CD that cost $1.76 to make went right back into a pool of starving artists (not directly of course).  It was called “Artist Development” and it helped pay and pave the way for many iconic artists who started out with the ole “Label Demo Deal.”

Continue reading SONAR Facility, The Sound Foundation in Dallas gets global recognition with Ford Motors

HOW The Duke Western USES SONAR TO CREATE MUSIC FOR DUCK DYNASTY (AND MORE)

Here at Cakewalk we are fortunate to have an external team of rocket scientists who help test out SONAR beta releases.  This team is dedicated, passionate and most of all appreciated by all of us internally here at the Cake shop.  Recently I received a general email from one of my esteemed colleagues mentioning that one of our trustworthy beta soldiers was jumping off the beta-battlefield in lieu of another SONAR related activity.  Huh?  This peaked my curiosity and I felt obliged to dig a bit deeper on the subject.  What could “another SONAR related activity” involve?  SONAR Olympics? SONAR CPU Racing? SONAR Academy?

Featured Music Placements on Discovery Channel, History Channel, CBS, Bravo Network

Continue reading HOW The Duke Western USES SONAR TO CREATE MUSIC FOR DUCK DYNASTY (AND MORE)

How iLan Bluestone used SONAR Platinum on his new track “Bigger Than Love” (#1 on Beatport)

Just a few short years ago, we learned of a new up-and-coming artist who was using SONAR.  After introducing ourselves and learning more, the one thing that kept resonating were the infectious melodies and counterparts embedded into his tracks.  We were delighted to witness him working in SONAR, but at the same time very intrigued that he was using SONAR 8.5.

Soon after being in touch with iLan, we were able to catch up with him face to face in his studio just north of London for a night where we introduced SONAR X3 to him.  It was a fun night and very interesting to watch a pro’s reactions going from 8.5 to X3 considering that undoubtedly the platforms are truly different.  There were some moments of, “Whooaaah… that will save me a ton of time,” and there were moments of, “Ummm…that will take a while to get used to.”  Leaving iLan to his own devices we were really unsure where he would take it.

 

 

Toggling back and forth from 8.5 to X3 for a while, iLan finally found his stride with SONAR Platinum.  He told us, “After working on both 8.5 and X3, once I was on Platinum there was no going back.  The basic features alone like the smart tool and Mix Recall not only save me a lot of time, but allow me to create things I could not create in 8.5. With the amount of tracks I create and pace of my workflow, the fact that Platinum is rock solid and really fast means everything to me.  8.5 always allowed me to ‘not’ sound like everyone else in my genre, and Platinum just continues that path for me.”  iLan’s first full production in SONAR Platinum titled “Bigger Than Love,” a collaboration with singer/songwriter/artist Giuseppe de Luca was recently released on Anjunabeats and quickly found its way up the charts to the #1 spot on Beatport.

Continue reading How iLan Bluestone used SONAR Platinum on his new track “Bigger Than Love” (#1 on Beatport)

Cakewalk Talk Episode 3 Part 1 – Interview with Daniel Rowland from LANDR

Check out the latest episode of Cakewalk Talk, where Dan Gonzalez interviews audio engineer Daniel Rowland (Adrian Belew, StudioBelew, Accept) about LANDR and his role at the company.

 

We’ve posted a shorter cut below as well.

 

Sign up for LANDR and get 4 FREE WAV FILES. Download it Today

SONAR PLATINUM ADDS Ultra Analog SESSION 2 SYNTH IN 2016.03 UPDATE

As a fan of our bakers and all the great features coming out of the Rolling Updates, I absolutely love exploring all the new things SONAR brings every month.  As a big fan of Lounge Lizard, I was really excited to learn that we would be incorporating the Ultra Analog Session 2 (UAS2) instrument into SONAR this month.  So at this year’s Namm convention I made a point of meeting up with my buddy Marc over at Applied Acoustic Systems to learn more about the synth before trying it out.

“A fun synth to play around with,” Marc explained.  And once I got my hands on it I understood what he was talking about.  Being a bit underwater with time these days, I decided to put an hour (or so) cap on diving into the synth and writing a short piece of “whatever” inspired me while first hearing and manipulating the sounds; and making use of the features.  I challenged myself a bit by using ONLY instances of this synth combined with stock SONAR Producer ProChannel modules so I could get a good feel for its capabilities.  I also thought it would be a fun test since there are no stock drum or percussion patches in the synth.  Here is what I found:

  • Useful:  In my book, you can never have enough options when it comes to sounds.  I have synths where I only LOVE a few patches but you know what? – Those patches are worth every penny having the synth in my arsenal.  I found the UAS2 to have some really great sounding vintage patches.  With 7 banks of sounds there are a lot of tones that would come in handy and will work well in certain styles of music.  I found combining these sounds with ProChannel shaping to be a great combination for creating some unique sounds.
  • Diverse:  I like the fact that for a synth with a small footprint, it crosses a through a wide array of tones.  The 5 main tonal character traits are Arpeggio, Bass, Lead, Pad, Polysynth, along with a bonus of two banks from Richard and Sean Devine that come in handy for more options.  I like the fact that there’s not a ton of overwhelming stuff here—and what’s in the box is all great and diverse for different applications.
  • Cool features:  I personally love using arpeggiation effects.  Admittedly, I love them because I am a horrible keyboard player and they make me sound like I know what I am doing… kind of;) I sometimes use arpeggiation in a way that might be different than some users—I follow no rules of arpeggiation (is that even a word?)—I throw on tons of effects… I let my ears rule both my hands and find notes and things that just sound good to me.  I often use this effect on choruses while knocking out all low end to give a song an inconspicuous lift.  The “Arpeggio” on this keyboard is cool.  It’s simple and straight forward and allows the user to combine a bit of old-school arpeggio tactics along with many syncing options.
  • A Strong Simple Synth Engine:  For someone like me who is not a synth expert, this instrument is great.  The 3 sound generators (VCO, Filter and Amp) are simple enough to navigate for those who do not fully understand the complexities of creating synth patches.  In my opinion, 10 minutes of turning knobs with this instrument is enough time for anyone to come up with some great sounds.  For example, after putting a limiter on my master bus I noticed one of my staccato parts was cutting through in a way that sounded too intense compared to the kick.  Very easily was I able to identify the “Amp Attack” as the culprit, and by simply dialing that knob back a bit the sound became what it needed to be.
  • Onboard FX:  Similar to Z3TA+, this synth carries its own FX processing right inside the synth.  Although multiple FX are not possible in one patch, the good news is that AAS didn’t skimp on the quality of the engine.  I tested all FX (Chorus, Delay, Distortion, EQ, Flanger, Phaser, Reverb) with different patches and found the available parameters to be intuitive while rendering high-quality sounds.