Take Control of Your Mix with Mix Recall

Mix Recall is a powerful way to organize mixes within a project—Whether you want to have a mix without vocals or a version of the song using a different processing chain on the drums—Mix Recall is the perfect solution for these types of situations, but it can do more than that. Say you are handed a project from someone else using SONAR or you got a new plug-in you want to try out using a previously recorded song, Mix Recall can help you handle this as well by getting your project reset back to a neutral position.

Adding the Mix Recall Module

Check that you have the Mix Recall module available in the Control Bar. You can add it to the Control Bar if it’s not already there by right-clicking in a blank space and adding it from the menu.

Creating a Mix Scene

Start by creating a new Mix Scene with the current project setting using the [Save As New Scene] button.  This will allow us to make a change and then come back to the original point to see the difference.

Make a change to the mix by adjusting the volume on a couple of tracks or muting a track previously un-muted.

Click the [Save As New Scene] button on the Mix Recall module again to save these changes into another mix scene. Give this mix a unique name and save it. Now you can reload your previous mix and see the changes reverted back to where we started. Selecting the second mix scene with bring us back to the present state of the mix. You can also use the [Recall Previous Scene] button to toggle back and forth between 2 mix scenes or simply go back to the last mix scene you were at.

Resetting a Mix

Using a project you want to reset, click the drop down arrow on the Mix Recall module and select “Reset Mix…” from the menu. This will remove all automation envelopes, plug-ins, and reset the ProChannel back to the default modules along with any controls in SONAR.

That’s It! Now you can get back to working on your mix instead of trying to manage multiple saved versions of the same song or trying to manually remove each plug-in or automation envelope.

Advanced Techniques

  • Create a save point as you begin your mix once you have basic levels and panning so you can always go back and hear your project from the start.
  • Create save points within your mix to go back and see how it has progressed.
  • Save several iterations of a mix and bounce each when sending it to a client or friend. Here are some common iterations to save as Mix Scenes.
    • Vocal Up Mix (Plus 1-3dB)
    • Vocal Down Mix (Minus 1-3db)
    • No Vocals
    • Radio Edit Mix
  • Time box your mix by only giving yourself an allotted amount of time and dividing that up over what you need to do.  Save each stage as a Mix Scene to go back and look at your progress and how you did at each stage.

Mix Recall is available in SONAR Artist, Professional and Platinum

Creating Your Own Guitar Tone with TH3 in SONAR

TH3 Cakewalk edition allows for anybody with SONAR to have access to amazing guitar tones. It comes with loads of amps, cabinets, effects and even allows for changing the position of the mic. If you want to do stereo processing of effects to create a stereo delays or parallel processing by mixing two amps together, you can do that as well.

Where to start?

Insert TH3 on to your guitar track and make sure you are using the correct input and have the Input Echo button enabled to hear what is plugged into that input.

A good place to start after inserting TH3 on to your guitar track is to check your level into the plug-in and the tuning of your guitar.

Check your level:

Strum a big chord on your guitar to see how much signal is coming into the plug-in. There should be a healthy amount of signal coming in and no clipping in the red.

Tuning:

Play each string and adjust until you see the tuning pin is in the center for each string.

Auditioning Amps

Open the [Components] section on the right if it is not already open and select the amps category from the list. Once you have that selected, you can then drag in the first amp at the top. You’ll be asked if you want to insert a matching cab, click [YES PLEASE!].

Give it a try! To audition other amps and cabs click the up and down arrows on the top left corner of the amp head or cab. Depending on what you are going for this is where you’ll want to pick out an amp that has some of the characters you are going for.

Here is a list of the included amps in TH3 Cakewalk along with the units they are modeled after.

  • Bassface ’59 – Modeled after the ’59 Fender Bassman
  • Darkface ’65 – Modeled after the ’65 Fender Twin
  • Modern – Modeled after the Mesa Boogie Dual Rectifier
  • Overloud Custom Power – Overloud Custom amp
  • Randall T2 – Official model of the Randall T2 head
  • Rock ’64 – Modeled after the Marshall JTM45
  • Rock 900 – Modeled after the Marshall JCM900
  • Slo 88 – Modeled after the Soldano x88r
  • THD Univalve – Official model of the THD Univalve Single- Ended Class A amplifier
  • Top30 – Modeled after the Vox AC30
  • Tweed Deluxe – Modeled after the Fender Tweed Deluxe
  • Bass SuperTube VR – Modeled after the Ampeg SVT-VR

Spice It Up Now

I’m going for a pretty classic tone that is mostly clean with a little bit of grit on it. I picked out the Top30 type head with a matching cab and will add an overdrive going into the amp. Go to the Components section again and select overdrive category. Drag in the TUBE NINE over before the amp. Dial in a some gain to taste using the “Drive” control and give it a whirl.

There are many other effects included with the TH3 Cakewalk edition, here is a compete list of everything you get.

  • TUBE NINE Overdrive
  • FatMuff Fuzz
  • FUZZRACE Fuzz
  • CHR-2 Chorus
  • Digital Delay
  • RSS Compressor
  • ANALOG FLANGER
  • Rich Flanger
  • 9-0′ Phaser
  • AQTX Spring Reverb
  • AmpTrem Tremelo
  • Auto-Wah
  • cry maybe Wah
  • Gate Expander
  • Volume

Mastering Space

Using spacial type effects like reverb and delay are critical in getting many of the classic guitar tones from the past. Here are some good rules to live by when getting started using reverb, delays and other spacey effects.

  1. Use modulation type effects like Chorus, Phasers, and Flangers toward the middle of your chain after distortions & overdrives.
  2. Use Delays after the Modulation type effects.
  3. Place reverbs at the end of your chain.

TH3 Cakewalk edition is included in SONAR Home Studio, Artist, Professional, and Platinum.

Using Melodyne to Create a Double in SONAR

Melodyne is not only a great way to tune vocals and still maintain their musical quality it can also be used for several other unique purposes like creating a tempo map from a live audio recording or extracting MIDI from audio. In this tutorial, we’ll be looking at using Melodyne to make things multiply for added thickness and depth.

What is doubling?

Double tracking is an audio recording technique where a performer sings or plays along to their own performance, to produce a “bigger” sound than can be obtained with a single voice or instrument. It is a form of overdubbing; the distinction comes from the doubling of a part, as opposed to recording a different part to go with the first. The effect can be further enhanced by panning one of the performances hard left and the other hard right in the stereo field.

Doubling Audio with Pitch

If you are working with a single vocal track and want to thicken things up, a classic technique is to create two copies of the original track and tune one track up and the other down very slightly. When mixed into the original track this will add additional texture and thickness to the vocal. To add width, simply pan each copy slightly off-center from the original track.

Open a project with a vocal track you want to double and click the Add Track button and make 2 additional audio tracks. Give each track a unique name and then hold down [Ctrl]+[Shift] to copy and lock the position and drag the vocal clip to each track to create both copies.

Doubling Audio with Pitch Inside SONAR Recording Software

To create a Melodyne clip, click on the first copy and press [Ctrl]+[M]. Melodyne will open in the MultiDock. You can also use the Region FX menu and select Melodyne | Create Region FX.

Select all the notes in the Melodyne window by clicking on one note then pressing [Ctrl]+[A]. Use the fine tuning control to tune the first track up by +3 cents. Double click in the area with the orange rectangle around it to type in the desired amount. Once you have entered the amount you can click away or hit [Enter] to apply.

Create Your Melodyne Clip

Repeat the steps for the second copy and then use the Inspector to mix both track in to taste. You can select both tracks at the same time and then use [Ctrl] to create a Quick Group. You’ll then have the ability to bring the volume Up / Down and mix it into the original track. Play around with the panning as well to get different amounts of width in the mix.

Pro Tips:

  • Use Pan to create additional width.
  • You can use the format control to create even more separation from the original.
  • Add additional processing to the doubles for other interesting sounds.

Doubling a Live Instrument with MIDI

More often than you can imagine producers want to hear an additional sound in a recording and those instruments or a player for them are not around. As a piano player, you have many options available to you with the use of virtual instruments and MIDI. What if you are a guitar player who wants to create a double on an instrument you don’t play or don’t own? You are in luck, with Melodyne and SONAR we make this a price of Cake.

* This process works best with single note lines but can also work well for simple chords or double stops as well.

Create a single note recording of a hook you want to double and use the Add Track button to create an instrument of your choice.

Using Melodyne You Can Create a Single Note Recording of a Hook

Hold down [Ctrl] and drag the audio clip to the Instrument track.  Watch as Melodyne automatically converts the audio to MIDI.  Double click the newly recorded clip to make any adjustments needed.

Make Adjustments in SONAR As Needed

Pro Tips:

  • Hold [Shift] while moving notes to maintain their original location in time.
  • Select all the notes and drag to a higher or lower octave.
  • Create a harmony by selecting a scale to snap to and then drag the notes up or down by a 3rd.

Melodyne Essential is included with SONAR Professional and SONAR Platinum. If you own SONAR Artist you can follow along using any demo of Melodyne from the Celemony Website.

Try SONAR Music Recording Software for 30-days

Building Your Own Professional Sound Panels – 5 Years Later

[Links to building the sound panels below]

Time flies when you’re having fun the old cliché saying goes.  For me, five years ago, I was in the trenches for a good week going down a rabbit hole not knowing exactly where I would end up.  I’m talking about sound panels – building sound panels that is; and if you’re anything like me, you’ve been in a few studios and loved the look and feel of those expensive looking ones on the walls.

When I moved into our new house, my goal was to create a project studio where I could plain and simply put, have fun.  My jobs before Cakewalk at Elektra Records and Capitol Records allotted me enough pressure-cooker studio situations to last a lifetime, so this studio was about doing things I wanted to do, when I wanted to do them, and maybe also making some college money on the side for my boy Mack (now 8). Continue reading Building Your Own Professional Sound Panels – 5 Years Later

You won’t believe what these 10 people said about Cakewalk’s Adaptive Limiter

The Adaptive Limiter is the latest addition to the included plugin lineup for SONAR Professional & Platinum. It is a professional brickwall peak limiter designed for both mixing and mastering. It features 4 different limiting “Character” types, Configurable Lookahead, Inter-sample Peak Detection, L.U.F.S. Loudness & K-Metering, as well MP3 codec preview, and real-time dithering.  It’s only been out for a few months now and we are already getting amazing feedback from customers.

Here’s what they are saying…

“The Adaptive Limiter has quite a few surprises in it, especially for such a simple, straight forward plugin. I like the nicely ordered presets, the “Match Input Loudness” feature for the bypass A/B switch, and the K / LUFS metering. And yes, the Dither / MP3 Encoding Preview is quite useful too! With the Adaptive Limiter, I can have it active on my master bus and still track new instruments, with no latency while playing.” – Lee Shapiro

“The Adaptive Limiter is possibly the best brickwall limiter in the business, big call I know, but after using various limiters over the course of 18 years…I was blown away when I got this.” – Benjamin Phillips

“The Adaptive Limiter is a fantastic tool, Great job Cakewalk! I tried it on several songs and tracks and was surprised by how good the Adapted Limiter works. Big thumb up!” – Holger Bremer

“I like the Adaptive Limiter a lot. It works good on both the master as well as buses and even tracks!” – Ken-Arve Nilsen

“The Adaptive Limiter is really great! I use it as the last limiter in my chain on the master bus… I think it may be one of the best brickwall limiter plugins I’ve heard, The LUFS metering is a really nice addition along with the input volume matching to hear the limiting before and after. It all really helps me create a great master!” – Hubert Torzewski

“I have found that Adaptive is extremely transparent!! It’s almost like it’s not even there…” – Sidney Goodroe

“Easily the best limiter interface I’ve seen yet. It also doesn’t hit the system too hard and as something included with a SONAR, well it is absolutely first rate.” – Jesse Stengel

“The Adaptive Limiter is soooo AWESOMELY INCREDIBLE. I love it! I love Sonar! It’s the best DAW on the planet!!” – Lana Slaughter

“I’m very happy with the Adaptive Limiter. Thank You Cakewalk! It certainly holds it’s own compared to the other 3rd party limiters I have.” – Kenny Wilson

“I am loving the Adaptive Limiter. I used it on a rock instrumental that I just finished recording and it sounds great and I prefer it now over Ozone. Great to have all these awesome stock plug in’s. I just recently moved to Sonar and find my mixes are sounding more pro. I am not having to use my purchased plug ins much as SONAR just delivers!” – Mark Stow

If you don’t already know the Adaptive Limiter, we made this video to help get you aquatinted. It is available by downloading the latest version of the Engineering Suite included with SONAR Professional & Platinum.

Enjoy!

Q&A with True Sound Studios

Ryan Wiesner “Weezna” is the owner and operator of True Sound Studios outside of Buffalo, NY. He chooses SONAR Platinum to produce a range of music including Hip Hop, EDM, Pop, and Rock. We discovered Ryan from his YouTube channel and were impressed with his studio and with the videos he’s creating using SONAR. We got him to take a break from his rigorous recording and video creation schedule to talk to us about why he uses SONAR and how he’s integrated it into his hybrid digital / analog productions. Continue reading Q&A with True Sound Studios

SONAR 2017.07 Release: Little Things Mean a Lot

Bus Pane Aim Assist

Aim Assist is a long-time SONAR convenience—it draws a vertical bar across all Tracks to follow the mouse cursor position, while obeying snap settings. With Aim Assist, it’s easy to align edits across tracks.

Until now, Aim Assist only applied to the Tracks Pane. Extending this feature to work in the Bus Pane has been one of our most popular feature requests from customers, and now it’s here in SONAR 2017.07.

Bus Pane Aim Assist
Bus Pane Aim Assist

With more advanced automation and routing, it’s now easy to use Aim Assist to align mix and automation settings visually across all tracks and buses.

Recently Used Plug-ins

We’ve found that SONAR users often have their “go-to” plug-ins that they’re using over and over again. With SONAR 2017.07, we’ve made it easy to insert any of your five most recently used plug-ins anywhere in your project—no other setup necessary, it just works!

Noteworthy Enhancements

Drum Project with 100's of little clips
Drum Project with 100’s of little clips

In projects with thousands of micro-edits—for example, when using AudioSnap and Split Beats to chop and tighten drum tracks—SONAR is now much more responsive.

In our SONAR 2017.05 Update we introduced Ripple Editing, and the SONAR community rejoiced. We’ve continued to make improvements, and in this SONAR 2017.07 release, SONAR is now smarter about working with MIDI data while Ripple Editing. You can learn more about how in the 2017.07 issue of our monthly Tech+Music magazine.

While using the Adaptive Limiter some of our customers noticed a ring modulation effect. Cool sounding? Yes. Intended? No. When using the 64-bit Double Precision Engine along with a 64 sample buffer size in SONAR some plug-ins—including the Adaptive Limiter—would misbehave. This has now been addressed in SONAR 2017.07.

This issue had affected other plug-ins as well and could have caused some users to not be able to use 64-bit Double Precision in SONAR. With this update, we encourage users experiencing this issue to try using the 64-bit Double Precision Engine again. You can find this in Preferences under Driver Settings.

Using Snap and the Smart Grid together is more visually consistent now between the Track View and Piano Roll View, and we have improved the look of grid lines while zooming out of a project—no more confusing beat markers in the Time Ruler or stacked grid lines displaying on top of one another. We now always display the beat in the Time Ruler and the Snap subdivision in the view. This makes it easier to see the relationship between measure, beat, and subdivision while editing. See below for additional changes to this area.

  • Track View, Track View In-line Piano Roll, and Piano Roll View now have consistent behavior when thinning grid lines during zooming in and out
  • Disabling Snap previously created problems with showing triplets and dotted settings, These buttons will now stay lit to better indicate what Grid Lines are being displayed when Snap is Off
  • Disabling Snap previously created problems with showing triplets and dotted settings, These buttons will now stay lit to better indicate what Grid Lines are being displayed when Snap is Off
  • Snap settings could previously become changed unexpectedly if they were altered when Snap was Off
  • The Control Bar’s Smart Grid option is no longer disabled on cancel out of the menu

30th Anniversary Rapture Expansion Pack

Tech+Music (issue 2017.07)

Reviews of the Month: SampleTekk Classic Grand Piano, DSF B3 Tone Wheel organ ● DIY Sampled Piano Mods – Enhance sampled pianos with these simple tweaks ● SONAR Update 2017.07 overview, with news on all the latest enhancements: Bus Pane Aim Assist, Recently Used Plug-Ins list, Clip Edit Speed improvements, MIDI Ripple Editing improvements, multiple fixes and enhancements ● SONAR 101: Understanding Loop Construction ● “You Mix, We Master” – every month, we master a reader-submitted piece of music in SONAR ● 30th Anniversary Rapture Expansion Pack: Freshen up Rapture Pro and Rapture Sessions with 30 free, exciting new sounds from Craig Anderton

Get SONAR 2017.07 Today

Follow this link to learn more about the SONAR 2017.07 update and download today:

SONAR 2017.07 Update

Summer of SONAR–Here’s the 2017.06 Update

After a burst of innovation from the SONAR team during the last several months–which brought us:

…we’ve focused this SONAR 2017.06 release on user experience– polishing up and refining all the new features we’ve recently delivered. Here are a few highlights:

Continue reading Summer of SONAR–Here’s the 2017.06 Update

Cakewalk Kicks off 30th Anniversary with Major SONAR Update & Much More

–SONAR 2017.05 Update release looks to the past, present and future of desktop music production with Ripple Editing, a new Adaptive Limiter and Pen support for MIDI editing–

Let the 30th Anniversary Celebration Begin!

May 2017 marks Cakewalk’s 30th Anniversary, so we’re throwing a year-long party—and everyone’s invited!

We’ve lined up some cool freebies, specials, and surprises you’ll be seeing over the next 12 months, starting with 30 free, expertly crafted presets for the QuadCurve EQ to kickstart your mixing and mastering projects.

What’s more, by popular demand we’re bringing back the eZine, and taking it to the next level as a new publication—Tech+Music. Each month’s issue is packed with news on the latest program updates, as well as tips, product reviews, articles on studio techniques, and more.

This month, our partner spotlight shines on Softube — we’ll introduce you to the Console 1 Mk II, including a giveaway, and we’ll be offering their high-end Tube Tech Classic Channel at a rock-bottom price.

Last, but not least, our giant SONAR 2017.05 Update looks to the past, present and future of desktop music production — featuring Ripple Editing, our new Adaptive Limiter, and Pen support for MIDI editing.

Thank you for your support as we embark on our next 30 years of innovation.

Now let’s dive in to the SONAR 2017.05 Update…

Continue reading Cakewalk Kicks off 30th Anniversary with Major SONAR Update & Much More

Cakewalk and Synchro Arts Announce VocALign ARA Integration with SONAR

Synchro Arts‘ legendary automatic time-alignment software, VocALign Project, now integrates with Cakewalk SONAR via the ARA (Audio Random Access) protocol. Compared to non-ARA DAWs, ARA provides instant access to the host’s audio data—simply drag and drop Guide and Dub audio events into VocALign Project 3, and it edits the Dub audio instantly to match the Guide’s timing.

Cakewalk is currently running a special direct promotion for 20% off VocALign Project 3 until May 31, 2017 in our online store at shop.cakewalk.com.

Continue reading Cakewalk and Synchro Arts Announce VocALign ARA Integration with SONAR