Recording and making music on your computer can seem overwhelming when you are just getting started. You have the musical ideas in your head but you need to get them down and into a finished song format. This post will walk you through device setup, recording audio, playing virtual instruments, working with loops, and more. But first let’s go through some questions and make sure you have all the ingredients to begin recording.
What do I need to create high quality recordings on my Windows computer?
The simple answer is that you will need three basic things to begin building a Windows based computer recording system.
- A relatively new and well performing computer.
- An audio interface or a high performance computer sound card.
- The version of Cakewalk music recording software that fits your needs.
Is my Windows computer good enough for recording music and audio?
Cakewalk recommends the following minimum system specs for Continue reading How to Record Music on a Windows Computer – A Free Video Guide
Create Digital Music’s Peter Kirn was one of the first to cover the launch of SONAR 8.5 as it happened yesterday. In his initial review, Peter took a look at some of the most compelling functionalities being offered in the new version.
Among his favorite features are the argpeggiator and step-sequencer included on every track, the audio manipulation tool (AudioSnap 2.0), the strips for percussion and vocals (PX-84 and VX-64, respectively), and SONAR’s compatibility with x64 and Windows 7! Here are some of our favorite quotes. Click the link below to read Peter’s full review.
Continue reading SONAR 8.5 May Convince You To Try A 64-bit OS & Windows 7
Pick up the latest issue of MIX Magazine to see an extensive review of the complete SONAR V-Studio 700 system. Engineer and MIX contributor, Tony Nunes, tests the SONAR V-Studio 700 in his home studio and during a commercial studio tracking session.
For testing purposes, Nunes interfaced the SONAR V-Studio 700 with a machine running a 32-bit Windows Vista Ultimate operating system powered by 3GHz Intel Core Extreme CPU Q6850 with 4GB of RAM. He also installed the latest software and firmware updates to ensure that the system’s various parts would work at the greatest potential in each environment.
Read the full review to get a closer look at SONAR V-Studio 700’s control surface (V-700C), the I/O and Roland Fantom VS Synth (V-700R), and digital audio workstation (SONAR 8 Producer). Here’s a few of our favorite quotes from Nunes’ stellar review:
“The V-700C is a full blooded control surface that’s tightly integrated with SONAR. Top features include EQ and plug-in manipulation… The V-700C’s faders are a step above the rest with unique features such as Channel Branch mode and locking faders.”
“The V-700R is a solid 24-bit/192 kHz USB interface with a plethora of inputs and outputs that sound clean, detailed and unbiased… the expandable Roland Fantom VS Synth is attractive to keyboardists and saves CPU load.”
“Plug-in manipulation was a breeze with ACT, which brilliantly mapped SONAR’s TL-64 and VC-64 plug-ins to the Channel Strip control section. I also appreciated how quickly I could access all the different SONAR views from the Access Panel, while the T-Bar combined with SONAR’s X-Ray kept my plug-ins from cluttering up my screen’s real estate.”
ALSO Check out this cool interactive SONAR V-Studio 700 graphic!
The Adventures of a “Displaced Englishman”, 1950s Bollywood samples and the Singapore-based studio with SONAR at its core.
By Oz Owen
Make no mistake – the unusually monikered Calamity Studio is far from living up to its name. Quite the opposite, in fact. Singapore-based Calamity bills itself as the A/V production arm of composer and producer Paul Russell’s Pi2 Creative Services, a successful ‘boutique’ marketing agency.
Paul’s passion for music and production translates into a full studio diary, keeping him busy on a wide range of projects – whether creating original music and soundtracks with the help of an impressive roster of songwriters and musicians from as far afield as the UK, Australia and the USA, or – as his latest project ably demonstrates – weaving vintage Bollywood samples into contemporary compositions.
At Calamity, Paul specialises in creating original compositions in a variety of genres – from ambient through dance to straight-ahead rock/pop. What’s more, he’s making a fine living doing exactly what he loves.
Paul first got hooked when he picked up a bass guitar back in 1976 – the time when musical anarchy was running riot across the UK thanks to the Punk explosion, but it was some years before Paul set about creating his first recording studio, trading in his trusty four-track Portastudio in favour of a more upmarket eight-track setup in what was fast turning into a life-changing quest.
Fast-forward to 1999 and we find Paul living in Singapore, running his own creative agency and building his first digital recording studio replete with Cakewalk Pro Audio 9 to capture every nuance of his compositional ideas. Within a year, SONAR arrived on the scene, and life would never be the same again… Calamity Studio was becoming unstoppable!
Continue reading Artist Spotlight: Paul Russell & Calamity Studios
With the help of Cakewalk’s Engineering Department, Create Digital Music’s Peter Kirn delves inside the mechanics of SONAR 8. Visit Create Digital Music to learn how SONAR 8 will hold its own in Windows Vista.
Cakewalk’s Noel Borthwick explains, “SONAR 8 introduces several, crucial enhancements for communications with audio devices in Windows Vista, including support for WASAPI (a new audio standard in Windows Vista and future OS), MMCSS task profile support, and WaveRT streaming.”
To view the complete list of enhancements made to the latest version of SONAR, take a look at the posting below.